Soul of a “Lioness”: On Argerich: Bloody Daughter (2012)

By Paul Risker. Argentine pianist Martha Argerich has always represented a swirling musical force – her performance of the Rachmaninoff Piano Concerto No.3 in particular having left me astounded and inclined to perceive her as a godlike force of artistic expression. I have heard whispers of the woman behind Argerich […]