By Amy R. Handler. Reaching back to time’s beginnings, Orlacs Hände (1924) forever touched the future, but at what price? Robert Wiene’s cinematic interpretation of Maurice Renard’s Les Mains d’Orlac (1920), cannot be neatly labeled expressionist in spite of its creation near the end of Weimar’s expressionist movement. Certainly there […]
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Ali Moosavi
A Producer’s Journey, from Tehran to Hollywood – Barry Navidi on Modi: Three Days on the Wing of Madness
Andrew Montiveo