By Jeremy Carr. On the day of her son’s wedding, presumably the central event of 1945, drug-addled Anna (Eszter Nagy-Kálózy) ominously observes, “I’ve got a bad feeling.” At the time, this comment refers to the approaching marriage of her timorous son, Arpad (Bence Tasnádi), to the notoriously unfaithful Kisrózsi (Dóra […]