A Review Essay by Tony Williams. Following the commercial success of The Dirty Dozen (1967), iconoclastic director Robert Aldrich fulfilled his dream of purchasing his own studio. As well as attempting full independence from the Hollywood studio system that he was both part of, and opposed to, the director aimed […]
ONLINE | Thinking Film Since 1973
Jonathan Monovich
Life at the Movies – Every Movie is a Miracle: A Colloquy Between Leonard Maltin and Nat Segaloff
Alex Ramon
A Bigger Vision of the Past: Stephen Bourne on Research in Black and LGBTQ+ Cinema and TV History
