A Review Essay by Tony Williams. Following the commercial success of The Dirty Dozen (1967), iconoclastic director Robert Aldrich fulfilled his dream of purchasing his own studio. As well as attempting full independence from the Hollywood studio system that he was both part of, and opposed to, the director aimed […]
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Jonathan Monovich
What the World Needs Now: Olivia Wilde on The Invite
Thomas M. Puhr
Roads to Nowhere: Kane Parsons’s Backrooms
