A Book Review by Thomas Puhr. If the likes of Kubrick or Bergman have more or less been deified, surely she belongs in this secular pantheon.” If, like me, The Criterion Collection and Eclipse Series – through their pristine releases of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1975), […]
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Jonathan Monovich
What the World Needs Now: Olivia Wilde on The Invite
Thomas M. Puhr
Roads to Nowhere: Kane Parsons’s Backrooms
