By Robert K. Lightning. If Poitier’s films frequently situate him as an integrationist hero, successfully negotiating the rocky path to white acceptance, Belafonte’s films typically chart a very different path where acceptance is not always the goal, making him often Poitier’s cinematic antithesis.” With the announcement of Harry Belafonte’s death […]
ONLINE | Thinking Film Since 1973
M. Sellers Johnson
A Prototype for Future African Works: Producer Mo Abudu on Dust to Dreams
William Blick
The Plain Truth – Rick Goldsmith on Stripped for Parts: American Journalism on the Brink
Jonathan Monovich
Analyzing “on a Forensic Level”: Tim Lucas on the 30th Anniversary of Throat Sprockets
