The Miyazaki Interlude: The Conscious and Unconscious Intervals of The Boy and the Heron (2023)

By David Ryan. Miyazaki moves beyond illustrating simple contrasts by creating relationships in apposition (not opposition), and this interdependency often encourages experiential growth for his younger protagonists.” Writer-director Hayao Miyazaki’s films are carefully planned adventures into the realms of innocence and experience. His abstract themes and dense stories have garnered […]