By Marlisa Santos. As the movie-viewing public was becoming more comfortable with these kinds of filmic depictions, poster art, never to shy away from marketing hooks, aimed to tantalize prospective audiences with images that promised entrance into a suspenseful world of increasingly commonplace criminality and subversion of systemic stability…. University […]
ONLINE | Thinking Film Since 1973
Ali Moosavi
A Producer’s Journey, from Tehran to Hollywood – Barry Navidi on Modi: Three Days on the Wing of Madness
Andrew Montiveo