By David Ryan. Aspires to explore important themes about perception and insight from a trauma-focused narrative but is often undone by its own scrimping of dramatic focus and coherence.” Uberto Pasolini’s The Return (2024) is a mature but disappointing adaptation of the last few books of Homer’s The Odyssey, centering […]
ONLINE | Thinking Film Since 1973
Jonathan Monovich
Life at the Movies – Every Movie is a Miracle: A Colloquy Between Leonard Maltin and Nat Segaloff
Alex Ramon
A Bigger Vision of the Past: Stephen Bourne on Research in Black and LGBTQ+ Cinema and TV History
