Girlhood: A Sundance Review

By Jacob Mertens. In an early sequence in Céline Sciamma’s Girlhood, a group of girls walk home at night after a football game, weaving through featureless concrete high rises. One by one, each girl peels off from group as they reach their home until only Marieme (Karidja Touré) remains. In […]

99 Homes: A Sundance Review

By Jacob Mertens.  Ramin Bahrani—known in the indie festival circuit for his subtle, observational features Man Push Cart (2005), Chop Shop (2007), and Goodbye Solo (2008)—enters the current festival year with a film that pushes past the scope of the individual and toward grand meaning. Specifically, he seizes on the […]

A Most Wanted Man: The Zen of Spydom

By Jacob Mertens.  At some point in watching modern spy films—be they centered around James Bond, Jason Bourne, Jack Ryan, et al.—viewers can lose sight of the fact that being a spy is a job. As with any job, moments of exhilaration are matched with moments of mundanity, and a […]

Finding Fault with The Fault In Our Stars

By Jacob Mertens. A month or so back, Slate posted an article in anticipation of Josh Boone’s film The Fault In Our Stars¹—based on John Green’s popular Young Adult book by the same name—in which author Ruth Graham used the timeliness of this release to shame adults about reading YA […]

Catching Fire: The Revolution Will Be Televised

By Jacob Mertens. Revolution used to be a tangible part of our history. Not just stories of Malcolm X riling up a packed church in Harlem or Nelson Mandela looming in a prison cell. There was a sense that revolution was both cyclical and inevitable: a snake in the grass […]

SXSW 2014 Festival Report

By Jacob Mertens. I keep trying to think of a breezy anecdote to encapsulate my experience at SXSW this year, but I’m realizing it would be something of a lie. The festival, as great as it was (with perhaps the strongest overall line-up I’ve seen in my several years attending […]

The Raid 2 – A SXSW Review

By Jacob Mertens. The Raid 2 opens with a wide shot of a man kneeling beside a freshly dug grave. Facing his inevitable death, the film captures him as a small creature unable to influence the pendulum swing of fate. When the camera moves in, viewers see that this poor […]

Joe – A SXSW Review

By Jacob Mertens.  To call Joe anything but a return to form for director David Gordon Green would be a disservice. And that has nothing to do with how terrible his recent spate of films have been, save for the uneven but affecting Prince Avalanche (2013). Instead, it has to […]

Only Lovers Left Alive – A SXSW Review

  By Jacob Mertens. A man and a woman lie naked on a bed of black satin, their pale skin holding the frame like a match struck in a dark room. Eyes closed, bodies delicately entwined, the two form an unconscious union. They hold close to each other and sleep […]

Gravity (2013)

By Jacob Mertens. Dr. Ryan Stone (Sandra Bullock) drifts in zero gravity, curled into a fetal pose with eyes closed, as if the decompression chamber was a womb. She has withstood an onslaught of space debris that wiped out her fellow astronauts and as she hovers above the ground, sunlight […]