Review

By Moira Sullivan.  The Evolution of Cannes The Cannes Film Festival continues to be one of the most exciting manifestations of cinema in the world. Fortunately, the event is not only a cascade of film stars and legends, the Red Carpet, and the parties that the media promotes. There are […]

By Moira Sullivan. The reviews for The Great Gatsby were not overwhelmingly positive and most critics, including myself, recognized the film as ambitious but flawed. As an out of competition film, this imperfection is expected. Still, it is the kind of film that will attract audiences as it did a […]

By Moira Sullivan. Nearly 4,000 accredited journalists descend upon the city of Cannes for a week and a half of cinema magic and what looks like heavy rain for the first few days. The opening festivities for the 66th Cannes Film Festival revolved around the out of competition The Great […]

By Cleaver Patterson. During cinema’s long and varied history, the horror film has always been considered the poor relation. Forget that movies designed to disturb are almost as old as the medium itself – the first filmed version of Mary Shelley’s Frankenstein was made in 1910 at the Edison Studios […]

By Jacob Mertens. A stretch of cute neighborhoods with picket fences, green lawns. A traveling carnival filled with trailers and sideshow burnouts. A shack buried out in the forest, surrounded by pine trees and old cars sinking back into nature. Ultimately, it does not matter what you call home, it […]

By Cleaver Patterson. Star Trek Into Darkness (2013) dispels the widely held assumption that sci-fi extravaganzas are, on the whole, aimed purely at the teenage / geek market. Here, it can be comfortably claimed, is the thinking man’s blockbuster, a film that doesn’t forgo intellect in favour of spectacle. That’s […]

By Jacob Mertens. Many hinge the success and failure of a superhero film on whether villains can entice and excite the audience, or whether heroes can effectively transcend their humanity and conquer the odds. These are irrelevant concerns when placed next to the crucial component of all great action films: […]

By Robert Kenneth Dator. This little film makes me happy. It’s not little in subject. It’s not little in heart. As a matter of fact, everything about Whatever Makes You Happy is big but the budget, which was positively miniscule. It’s just that it’s tidy and squared away and neat […]

By Robert Kenneth Dator. The Tension Between Being and Nothingness Jean Paul Sartre wouldn’t mind my purloining Being and Nothingness, as Things I Don’t Understand is very much an existentialist treatise, conscious or otherwise. From the ontological notion of absurdity—that is to say that life is absurd because it has […]

By Robert Kenneth Dator. “I’ve never been comfortable with the idea of an afterlife.” The Holistic is a film short that stays long in one’s memory. I cannot count how many films I’ve seen devoted to life-after-death, but I can’t recall a single one that presented the idea that some […]