By Cleaver Patterson. It’s here! After a nine year hiatus in director Peter Jackson’s continuing cinematic visualization of J.R.R. Tolkien’s fantasy epics chronicling the adventures of the hobbit Bilbo Baggins, The Hobbit: An Unexpected Journey (2012), starring Ian McKellen and Martin Freeman has eventually arrived. The big question is was […]
The People and the Olive (2012): A Chicago International Social Change Film Festival Review
By Jacob Mertens. In history classes, we follow the path of society from one war to the next, from one tragedy to another. Slavery and a civil war bleed into the Holocaust and the assassination of JFK, and so on. Eventually we come to rest on a current climate of […]
“Can they really live a normal life after porn?”: After Porn Ends (2012)
By Robert Kenneth Dator. The title of this review, lifted from the publicity tagline, assumes the pitch of a midway barker outside the hoochie-coo tent at a wheat belt carnival. “See for yourself! She teases the imagination; he prods the curious, which is everyone, little lady, to take a peek! […]
Nothing Like Chocolate (2012): A Chicago International Social Change Film Festival Review
By Jacob Mertens. In a town buried in the jungles of Grenada, there stands a small cocoa production facility. Inside, Mott Green tinkers with equipment in a frenetic way that recalls the image of a mad scientist bringing some creation to life. However, what Green brings to life is cocoa. […]
Chasing the Sublime into the CLOUDs: ATLAS Overblown
By Matthew Sorrento. All artists reach a point when they want to make their good work great. The intention was right for William Faulkner, whose novel Flags in the Dust was cut down by his agent and publisher, into the much tamer Sartoris. Knowing he was holding back even in […]
The Sessions: A Modest Glimpse of Utopia
By Christopher Sharrett. Ben Lewin’s The Sessions is not a great film, and its status as a good one may in part be due to its circumscription by yet another dreadful “holiday season” of superhero films, juvenile fantasy, and feel-good family comedies. But the film is commendable for its remarkable […]
Zombie Flesh Eaters
By Cleaver Patterson. There are some films which everyone, whether they’ve seen them or not, has an opinion on. Virtually everything which fell under the auspices of ‘Video Nasties’ – the notorious witch hunt against a grouping of violent, sadistic and gore soaked films mainly from the late 1970’s and […]
The Man in the White Suit
By Cleaver Patterson. Some films have an air of effortless style which others can only dream about. The Man in the White Suit (1951), directed by Alexander Mackendrick and produced by the revered Michael Balcon for Ealing Studios, is one such film. Starring company regulars Alec Guinness and Joan Greenwood, […]
A Few Notes on Steven Spielberg’s Lincoln
By Wheeler Winston Dixon. Having just viewed Steven Spielberg’s new film Lincoln, I am moved to write a few words about it before it fades from my memory, which will happen rather rapidly. I’ll leave whatever historical inaccuracies the film may contain for others to consider – perhaps my friend […]
It Always Rains on Sunday
By Cleaver Patterson. British cinema was renowned for producing two types of film in the years following the end of World War II – polished and witty comedies and hard-bitten, realistic drama. The London based company Ealing Films were accomplished purveyors of both, with the dark humor of their sublime […]
