The Hobbit: An Unexpected Journey

By Cleaver Patterson. It’s here! After a nine year hiatus in director Peter Jackson’s continuing cinematic visualization of J.R.R. Tolkien’s fantasy epics chronicling the adventures of the hobbit Bilbo Baggins, The Hobbit: An Unexpected Journey (2012), starring Ian McKellen and Martin Freeman has eventually arrived. The big question is was […]

Chasing the Sublime into the CLOUDs: ATLAS Overblown

By Matthew Sorrento. All artists reach a point when they want to make their good work great. The intention was right for William Faulkner, whose novel Flags in the Dust was cut down by his agent and publisher, into the much tamer Sartoris. Knowing he was holding back even in […]

The Sessions: A Modest Glimpse of Utopia

By Christopher Sharrett. Ben Lewin’s The Sessions is not a great film, and its status as a good one may in part be due to its circumscription by yet another dreadful “holiday season” of superhero films, juvenile fantasy, and feel-good family comedies. But the film is commendable for its remarkable […]

Zombie Flesh Eaters

By Cleaver Patterson. There are some films which everyone, whether they’ve seen them or not, has an opinion on. Virtually everything which fell under the auspices of ‘Video Nasties’ – the notorious witch hunt against a grouping of violent, sadistic and gore soaked films mainly from the late 1970’s and […]

The Man in the White Suit

By Cleaver Patterson. Some films have an air of effortless style which others can only dream about. The Man in the White Suit (1951), directed by Alexander Mackendrick and produced by the revered Michael Balcon for Ealing Studios, is one such film. Starring company regulars Alec Guinness and Joan Greenwood, […]

A Few Notes on Steven Spielberg’s Lincoln

By Wheeler Winston Dixon. Having just viewed Steven Spielberg’s new film Lincoln, I am moved to write a few words about it before it fades from my memory, which will happen rather rapidly. I’ll leave whatever historical inaccuracies the film may contain for others to consider – perhaps my friend […]

It Always Rains on Sunday

By Cleaver Patterson. British cinema was renowned for producing two types of film in the years following the end of World War II – polished and witty comedies and hard-bitten, realistic drama. The London based company Ealing Films were accomplished purveyors of both, with the dark humor of their sublime […]