A War Film without War?: Natalia Shaufert’s Resentment (2019)

By Brandon Konecny. Moldova is currently the least visited country in Europe, attracting fewer tourists each year than Juneau, Alaska. So when you meet someone visiting from another country during your stay in Moldova, you instantly have readymade discussion topics, such as “What brings you to Moldova?” or “Have you […]

The Ground Holds the History: Dragos Turea’s Soviet Garden (2019)

By Brandon Konecny. During Nikita Khrushchev’s tenure, he wanted to make Moldova an agricultural powerhouse. The “Garden of the Soviet Union,” he called it. Vegetables, fruits, wines, juices: all were going to come from the USSR’s second smallest republic. But how was a country that’s a quarter of Indiana’s size supposed […]

Working Toward Recovery: Fassbinder’s ‘BRD Trilogy’

By Jeremy Carr. Over the span of five years, from 1979 to 1982, Rainer Werner Fassbinder directed three films dealing with the tumultuous, complex, and contentious early period of the Federal Republic of Germany (in that time, he also made three other features and a 14-part mini-series). Known as the […]

Refusal to Respond – David Shields and Lynch: A History

By Matthew Sorrento. Review Filmmaker David Shields found an ideal style to document the onscreen (but off the field) career of NFL running back Marshawn Lynch (2007-18). Far from a fan documentary, Lynch: A History uses collage to portray the news media’s possession and the public’s consumption of a star player […]

Three from the Open City Documentary Festival 2019

By Ali Moosavi. Three interesting documentaries screened at the Open City Documentary Festival in London, September 4-10, 2019. Sergei Loznitsa, the distinguished Ukrainian director known for films such as A Gentle Creature (2017) and Donbass (2018), in fact started off as a documentary filmmaker. In his return, Trial (2018), he has put […]

Joker: Notes from Underground

By Christopher Sharrett. In what follows I am conscious that Todd Phillips’ Joker is another addition by a corporation to its “DC universe,” although it is spoken of as a “stand alone” film (with no relevance to comic book mythology?). I am also aware that many aren’t interested in this […]

Juvenile Offender: Nicholas Winding Refn’s Too Old To Die Young

By James Slaymaker. It’s been less than a decade since the momentous critical and commercial success of Drive catapulted Nicolas Winding Refn from niche provocateur to international household name, yet the idea that the director was once poised to take the film industry by storm already seems patently ridiculous. Refn […]