New Perspectives: John Boorman on Queen and Country

By Matthew Sorrento. John Boorman’s status as a major filmmaker was sealed with five words from Lee Marvin: “I defer those to John.” The actor then left the room, which contained Boorman and the producers of Point Blank (1967); they had just conferred that Marvin had approval over the script and […]

Pure Animation: Graham Annable and Anthony Stacchi on The Boxtrolls

By Paul Risker. From the pages of Alan Smith’s Here Be Monsters! (2005) Graham Annable and Anthony Stacchi release the Boxtroll creatures from the stillness of the page and set them loose to roam the big (and small) screen. When I spoke with Annable and Stacchi I discovered two humble […]

A Man in Full: An Interview with Steve James on Life Itself

By Paul Risker. For Life Itself (2014) – a prominent snub by the Academy in the documentary category this year – filmmaker Steve James paints the landscape of a life and maturation of Roger Ebert, the man and the critic. “I wanted to get my arms around it all” explained James, “To show how the way in which he lived […]

Girlhood: A Sundance Review

By Jacob Mertens. In an early sequence in Céline Sciamma’s Girlhood, a group of girls walk home at night after a football game, weaving through featureless concrete high rises. One by one, each girl peels off from group as they reach their home until only Marieme (Karidja Touré) remains. In […]

Theeb of the West: An Interview with Naji Abu Nowar

By Amir Ganjavie and Shadi Javadi Abhari. The future of the western film genre, with its generic pattern, relation to historical narratives, and cinematic form, is a constant source of concern in cinema. Over the past couple of decades, various filmmakers, including Tommy Lee Jones (2005’s The Three Burials of […]

Sundays and Cybèle: Serge Bourguignon’s Oscar Winner Now on Criterion

By Jude Warne.  On April 8th 1963, at the Santa Monica Civic Auditorium, it was announced that Serge Bourguignon’s film Sundays and Cybèle had won the Academy Award for Best Foreign Language Film. Fifty-one years later, Criterion has re-released Bourguignon’s Oscar winner in a remarkably satisfying Blu-ray package that showcases […]

Humanities in the Digital Era

By Wheeler Winston Dixon. We live in the age of the visible invisible; everything is supposedly available to us online, but in fact, only a small fraction of the knowledge and culture of even the most recent past is available on the web. The digitization of our culture is now […]