A Book Review by Shane Joaquin Jimenez. The Nest (2014), the latest film by David Cronenberg, is comprised of a single unbroken GoPro shot. A topless woman sits on an examination table in a dungeon-like basement, pleading for a mastectomy. Her left breast, she says, is filled with a swarm […]
Vindication of an Heiress: Surprise revelation, alienation effect, and screen persona in Beyond a Reasonable Doubt
By Robert K. Lightning. Beyond a Reasonable Doubt (1956) was Fritz Lang’s final U.S. film.[1] In several obvious ways it can be read as a companion piece to the film that preceded it, While the City Sleeps. Both films star Dana Andrews as a reporter-turned-novelist. Both narratives also involve a […]
The Varieties of Experience: Michel Gondry’s Mood Indigo
By Paul Risker. In my review of Alive Inside for Film International, the idea arose that the act of explaining one’s love of a piece of music undermines the intimate bond formed between person and art. Now whilst discussion may not undermine any intimate bond formed in this case between […]
A Most Wanted Man: The Zen of Spydom
By Jacob Mertens. At some point in watching modern spy films—be they centered around James Bond, Jason Bourne, Jack Ryan, et al.—viewers can lose sight of the fact that being a spy is a job. As with any job, moments of exhilaration are matched with moments of mundanity, and a […]
By the Starlight: An Interview with April Wright on Going Attractions
By Paul Risker. On Saturday the 23 August two inaugural moments separated by eight decades are scheduled to converge when Going Attractions: The Definitive Story of the American Drive-in Movie (2013) screens at the first annual Reel East Film Festival in Oaklyn, Camden County, New Jersey. Is it a coincidence that […]
I am Cuba at 50
By James Knight. “My sugar was carried away on ships, but my tears were left behind.” This year marks the fiftieth birthday of Mikhail Kalatozov’s classic film I am Cuba. Not in the half decade since has a film been so effective in its portrayal of history. It is a […]
Wertham in Context: An Interview with Robert A. Emmons Jr. on Diagram for Delinquents
By Tom Ue. Robert A. Emmons Jr. is a documentary filmmaker. His films include: Enthusiast: The 9th Art (2001), Smalltown USA (2005), Goodwill: The Flight of Emilio Carranza (2007), Wolf at the Door (2008), YARDSALE! (2008), and De Luxe: The Tale of Blue Comet (2010). Goodwill has had the privilege […]
Making Personas: Transnational Film Stardom in Modern Japan (2013)
A Book Review by Carmen Siu. Earlier this year, Avril Lavigne garnered considerable negative attention for her ‘Hello Kitty’ music video. Filmed in Tokyo, the video features an enthusiastic Lavigne jumping around in stereotypical Japanese locales, like a clothing boutique, a candy store and a sushi bar, backed by four expressionless […]
In the Post-Mod Shadow: An Interview with Wayne Kramer
By Paul Risker. Writer-director of The Cooler (2003) and Running Scared (2006), Wayne Kramer has worked exclusively in independent cinema since the early 1990s. Once again, he walks the line between insider and outlier with Pawn Shop Chronicles (2013, renamed Hustlers for the UK release). Speaking with Film International, Kramer […]
Wherever in the Landscape: ArtFilm 2014
By Robert Buckeye. Cannes may be a place, but it is not place as we understand it, except as it exists as cinephilia on a screen. Berlin is a place, its past always brought to bear whenever the city or its people are mentioned. At ArtFilmFest in Trenčianske Teplice and […]
