When Jaws Premiered; or, the Hottest and Coolest Weekend on Record

By Gary D. Rhodes. The great flood-gates of the wonder-world swung open.” — Herman Melville, Moby-Dick (1851) Friday, June 20, 1975. Newspapers report the assassination of mob boss Sam “Momo” Giancana. Gerald Ford authorized his campaign to start fundraising for his presidential bid. Postal workers picketed in Washington, D.C. The House […]

Hardened Idols: Hollywood Boozers, Brawlers and Hard-Luck Cases

A Book Review by Maysaa H. Jaber. Adds a human, sometimes tragic face to those at the heart of moviemaking during the Golden Age.” Laura Wagner’s Hollywood Boozers, Brawlers and Hard-Luck Cases: Fifteen Ill-Fated Actors of the Golden Age (McFarland, 2025) takes readers on a journey of rediscovering the life […]

Preview: Shadows in the Sunlight – On the Noir Western

By Anees Aref. Often described as “psychological westerns”, these films eschewed the conventional heroes of the old west for more complicated protagonists, flawed and motivated by darker impulses….” The “Noir-Western” sounds like a contradiction in terms. One associates the western with the 19th century American frontier, wide open vistas, horses, cowboys […]

Call for Proposals – Cinematic Memory: Narrative, Recollection, and Identity (Edited by David Ryan)

______________________________________________________________________________ “I have to believe in a world outside my own mind. I have to believe that my actions still have meaning, even if I can’t remember them.”— Leonard Shelby, Memento (2000) “Memories can be vile, repulsive little brutes. Like children, I suppose. But can we live without them?”— The […]

Still Underground: Films That Spill – Beyond the Cinema of Transgression

A Book Review Essay by Johannes Schönherr. German scholar Marie Sophie Beckmann discusses inherent contradictions of the ‘spilling’ of the films into other art forms as well as the ‘spilling’ of the films as ‘contained’ entities (films on video) to a worldwide audience in detail.’” When Nick Zedd, the mastermind […]

Cinema as Memory: Olivier Assayas on Suspended Time

By Jonathan Monovich. I wanted to bring a cinema crew within this very intimate space, which is something that movies hardly do. I thought it was a way of exposing myself.” —Olivier Assayas Like other filmmakers who began at Cahiers du Cinéma, Olivier Assayas approaches his films with sophistication. Assayas’ […]