By Gwendolyn Audrey Foster. To Part 1. While Dorothy Arzner’s Craig’s Wife (1936) revolves around a pathological female who is undone by her desperate attempts to conform to the norms of patriarchy during the depression era, Ida Lupino’s The Hitch-Hiker (1953) presents us with a male serial killer, another malignant […]
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Jonathan Monovich
What the World Needs Now: Olivia Wilde on The Invite
Thomas M. Puhr
Roads to Nowhere: Kane Parsons’s Backrooms
