A Book Review by Yun-hua Chen. Christopher Lupke’s The Sinophone Cinema of Hou Hsiao-hsien: Culture, Style, Voice, and Motion (Cambria, 2016) is a well-informed book straddling between the disciplines of Chinese Studies and Film Studies and is highly relevant to film buffs, sinophiles, film researchers, and students. By contextualising Hou […]
ONLINE | Thinking Film Since 1973
Jonathan Monovich
“Pain Creates Character Distortion”: David Cronenberg’s The Shrouds
Alexandra Heller-Nicholas