A Book Review by Thomas Puhr. For many, the term “avant-garde” is synonymous with pretension: a sub-subgenre that revels in its impenetrability and niche appeal. One of Paul Taberham’s overarching goals in Lessons in Perception: The Avant-Garde Filmmaker as Practical Psychologist (Berghan Books, 2018) is to negate this misconception; experimental filmmakers […]
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