By Anees Aref. I wanted the environments to feel real and the people to feel real. As a director it’s a chance to take, because the audience is so used to seeing there has to be a bad guy, to create the classic conflict there has to be some idiot. […]
ONLINE | Thinking Film Since 1973
Jonathan Monovich
What the World Needs Now: Olivia Wilde on The Invite
Thomas M. Puhr
Roads to Nowhere: Kane Parsons’s Backrooms
