Replicating Neoliberal Reform: Failed Mothers in John Singleton’s Boyz N the Hood (1991) and Baby Boy (2001)

By Indya J. Jackson. Ultimately [through the depiction of failed mothers] Singleton replicates the anti-Black, anti-poor, and misogynistic rhetoric of neoliberal reformists by embedding a definite preference for fathers and the heteropatriarchal family structure within his films.” After Boyz N the Hood (1991) launched John Singleton into rarefied air, he […]

Starring in His Own Nightmare: Joe Begos on Jimmy and Stiggs

By Anela Henley. I never thought I’d be starring in a movie that I made, but just by nature of the circumstances I had to. I think that elevated me as a filmmaker….” Writer-director Joe Begos broke into the indie film scene in 2019 with his third feature Bliss, incorporating doom […]

What is Left Unsaid: Alexandra Simpson’s No Sleep Till

By William Blick. Despite some tedium, well worth viewing as a quiet study in both resignation and defiance.” More of a visual essay or poem, Alexandra Simpson’s independent film, No Sleep Till (2024) which was made on a shoestring, dazzles with crisp shots of lightning and brilliantly colorful night skies […]

Satirizing Horror and Spellbinding the Social Contract: Weapons (2025)

By David Ryan. As a follow-up to Zach Cregger’s horror drama Barbarian (2022), Weapons explores the recursive relationship between personal antagonisms and the erosion of civic trust, staging what Robin Wood identifies as horror’s central tension—the destabilization of the social order….” With Weapons (2025), writer-director Zach Cregger leans on the […]

When Jaws Premiered; or, the Hottest and Coolest Weekend on Record

By Gary D. Rhodes. The great flood-gates of the wonder-world swung open.” — Herman Melville, Moby-Dick (1851) Friday, June 20, 1975. Newspapers report the assassination of mob boss Sam “Momo” Giancana. Gerald Ford authorized his campaign to start fundraising for his presidential bid. Postal workers picketed in Washington, D.C. The House […]