The Lying Camera of De Palma’s Snake Eyes

By Jeremy Carr. As with much of his work, especially in the last 15 years or so, one’s response to Brian De Palma’s Snake Eyes (1999) was to a large degree established even before the film’s release. Coming off the commercial success of Mission: Impossible two years prior, this 1998 feature […]

Oculus: Another Look In the Haunted Mirror

By Wheeler Winston Dixon. Oculus is a rather pretentious title for a rather straightforward movie, but despite the assembly line nature of its’ construction, the film still has something going for it. At first it’s hard to say precisely what the film has to offer, because on the surface it […]

Out of the Furnace: The Question of Adversarial Cinema

By Christopher Sharrett. I did not see Scott Cooper’s Out of the Furnace during its initial run some months ago, in part because I thought little of Cooper’s Crazy Heart (2009), and anticipated, incorrectly, that the film would adapt Thomas Bell’s important (although not very distinctive) novel Out of This […]

Contemporary Romanian Cinema: The History of an Unexpected Miracle (2013)

A Book Review by Brandon Konecny. In the introduction of his Post New Wave Cinema in the Soviet Union and Eastern Europe, published in 1989, Daniel J. Goulding writes, “Among the internationally significant national cinemas of Central and Eastern Europe, only Romania has shown little sign of renewal…At the time […]

Berlinale 2014 Festival Report

By Yun-hua Chen.  The 64th Berlinale opened with Wes Anderson’s Grand Budapest Hotel, a fitting festival film that set a playful tone and brought glamour to town, thanks to which we saw the presence of Ralph Fiennes, Tilda Swinton, Bill Murray and Saoirse on the red carpet. In this yearly […]

Bruno Dumont and the Revival of the Human, Part 3

By Christopher Sharrett. To Part 2. Hadewijch Hadewijch is the first of two films (the second is Hors Satan) directly focused on the pursuit of the spiritual. I should say first that the two films present a problem, since the search is embodied in Hadewijch in a hysterical young woman […]