The Return of I’m Alright Jack (1959)

By Paul Risker. “I’m alright Jack” is English slang for an individual focused solely on his/her self-interest. Though John and Roy Boultling’s 1959 satirical masterpiece borrows the phrase for its title, it’s not a film lost in its own self-interest or in possession of a complacent air. With a more […]

Introduction: Contemporary Independent Iranian Cinema

By Parviz Jahed and Amir Ganjavie. [Editor’s note: The upcoming issue of Film International (issue 69, vol. 12, no. 3/2014) is dedicated to “Contemporary Independent Iranian Cinema.” This is a slightly abbreviated version of the introduction to this issue, written by the issue’s guest editors Parviz Jahed and Amir Ganjavie. […]

Adam Saunders on Launching Footprint Features

Actor and producer Adam Saunders recently helped to launch Footprint Features, which is dedicated to creating “character-driven stories that appeal to a mainstream audience.” In conversation with Film International’s Paul Risker, Saunders discussed his new endeavour along with his previous career in film. Why a career in acting and producing? […]

BFI London Film Festival 2014: Festival Programme Launch

By Cleaver Patterson. Earlier last month saw the official programme launch for the London Film Festival 2014.  To a packed house at the Odeon Leicester Square, BFI Chief Executive Amanda Nevill introduced the festival’s director, Clare Stewart, who went on to reveal a sample of the films which will show […]

Call for Contributions: Contemporary Alternative American Cinema

As part of a broader attempt to understand the world cinema, the H & S Media plans the publication of a book which aims to put in perspective those contemporary American films which offer an alternative to the mainstream Hollywood cinema. These alternative films manifest original personal visions and unique social […]

Hoarders, Doomsday Preppers, and the Culture of Apocalypse

Hoarders, Doomsday Preppers, and the Culture of Apocalypse: A new book by Gwendolyn Audrey Foster.   The culture of twenty-first century America largely revolves around narcissistic death, violence, and visions of doom. As people are bombarded with amoral metanarratives that display an almost complete lack of empathy for others on television, […]