A New Leaf (Elaine May, 1971) A Book Review Essay by Madeline Hawk. 83 years after Dorothy Arzner became the first female to direct a Hollywood feature film in 1927, Kathryn Bigelow became the first to win an Oscar for Best Director in 2010. But what happened in the 83 […]
In Defense of an Iconoclast: Peter Wyngarde: A Life Amongst Strangers by Tina Wyngarde-Hopkins
Department S (1969-70) By Tony Williams. “Peter Wyngarde defined the complete, bravura actor who dominated a stage with an incomparable elegant physical presence and a voice which defined emulation, a voice akin to music.” Steven Berkhoff (190) “Peter Wyngarde is an incomparable player of dashing, juicy rakehells, men on the […]
A Western by Any Other Name: Destry Rides Again (Criterion Collection)
By Jeremy Carr. There is, first and most famously, Marlene Dietrich. Since the time of its premiere in 1939, to its latest reemergence in the form of a Criterion Collection Blu-ray, conversation concerning Destry Rides Again has inevitably, and quite justly, hinged on the presence of this beguiling, Berlin-born beauty. […]
Dark Smörgåsbord: Horror Anthologies and Scare Package (2019)
By Alexandra Heller-Nicholas. From Hideo Nakata’s Ringu (1998) to Julian Richards’s The Last Horror Movie (2003), there’s something about the very materiality of the video cassette that evokes horror. Is there something vaguely symbolic about those little black coffins of cinematic memory? Do we subconsciously read them as the perfect […]
More to the Show: Jeffrey McHale on You Don’t Nomi
By Ali Moosavi. Showgirls (1995) is one of the most notorious films in Hollywood history. Director Paul Verhoeven and screenwriter Joe Eszterhas were riding high on the massive box office success of their previous joint effort, Basic Instinct (1992). Perhaps because of that success, the critics had sharpened their pencils, […]
Mrs. Steve Austin: The Bionic Woman and The Woman’s Film
By David Greven. The following is an excerpt from The Bionic Woman and Feminist Ethics: An Analysis of the 1970s Television Series © 2020 David Greven by permission of McFarland & Company, Inc., Box 611, Jefferson NC 28640. www.mcfarlandbooks.com. As I will have several occasions to note, The Bionic Woman […]
Some Grace Notes from Tarantino: Thoughts on Once Upon a Time in Hollywood
By Christopher Sharrett. Those who know me will be shocked to read this piece, a partial valuation of Quentin Tarantino’s last film, Once Upon a Time in Hollywood. I have considered the filmmaker a nihilist – the word popped into my head when I saw Reservoir Dogs at its premiere (today, I […]
Looking Out, Looking In – Filmed Thought: Cinema as Reflective Form by Robert B. Pippin
A Book Review by Thomas Puhr. It’s hard to make the mental jump from Georg Wilhelm Friedrich Hegel to, say, Douglas Sirk, but Robert B. Pippin pulls off such connections in his thoroughly-researched Filmed Thought: Cinema as Reflective Form (University of Chicago Press, 2020). Though film criticism frequently incorporates philosophical […]
The Magnificent Stranger: Pasolini’s Teorema and its Tradition (Criterion Collection)
By Christopher Sharrett. Many years ago I moved into a small house not far from the university where I took my first tenure-track position. It was a cozy little place on a pleasant street where ancient trees formed a protective, shady bower. It was a lower-middle-class neighborhood that seemed friendly. […]
Interweaving Korean Film and Performance: A Conversation with Korean Filmmaker and Performance Director Kim Tae-yong
By Areum Jeong. Korean filmmaker Kim Tae-yong made his directorial debut in 1999 with Memento Mori (directed with Min Kyu-dong), the second installment of the girls’ high school horror film series. The film was hailed as one of the most beautiful horror films in Korean cinema and received Best New Director at […]
