By Christopher Sharrett. Anyone viewing Polyester for the first time might be a little confused: hasn’t all this been done before? Satires or eviscerations of the suburbs have been standard fare for at least forty years. But if the viewer is watching this splendid new Criterion Blu-ray, s/he might turn […]
The Irishman: Requiem for Very Little
Christopher Sharrett
November 20, 2019
By Christopher Sharrett. It has been some time since Martin Scorsese has interested me, his achievements in Taxi Driver and Raging Bull still notable, but faded a bit with time. His work in the last twenty-five years has occasionally had virtues (The Age of Innocence), but there have been too […]
A Time of Transition: Yasujirô Ozu’s Tokyo Twilight
Jeremy Carr
November 7, 2019
By Jeremy Carr. There are, in Tokyo Twilight (Tokyo Boshoku), many of the familiar refrains common to Yasujirô Ozu’s conspicuously singular filmmaking. There are the generational disparities, the struggles pertaining to familial strife, the social and sexual stigmas and their related expectations, and the ever-present suggestion of life slowly slipping […]
1984, Revisited in 1984 (The Criterion Collection)
Tony Williams
November 6, 2019
By Tony Williams. Although envisaged before the rise of Trump and his campaign hate clarion calls of “Send her back!” etc., on the part of his devoted base who love him as much as Orwell’s Party wants its victims to love Big Brother, 1984 contains resonances far beyond its initial […]
Working Toward Recovery: Fassbinder’s ‘BRD Trilogy’
Jeremy Carr
October 25, 2019
By Jeremy Carr. Over the span of five years, from 1979 to 1982, Rainer Werner Fassbinder directed three films dealing with the tumultuous, complex, and contentious early period of the Federal Republic of Germany (in that time, he also made three other features and a 14-part mini-series). Known as the […]
Refusal to Respond – David Shields and Lynch: A History
Matthew Sorrento
October 22, 2019
By Matthew Sorrento. Review Filmmaker David Shields found an ideal style to document the onscreen (but off the field) career of NFL running back Marshawn Lynch (2007-18). Far from a fan documentary, Lynch: A History uses collage to portray the news media’s possession and the public’s consumption of a star player […]
Father’s Day: Family, Masculinity and Ant Timpson’s Come to Daddy (Fantastic Fest)
Alexandra Heller-Nicholas
October 17, 2019
By Alexandra Heller-Nicholas. There’s a scene in Ant Timpson’s debut feature Come to Daddy where Elijah Wood’s character, Norval Greenwood, is being verbally abused with such an extraordinarily blend of both cruelty and swear words that by the time actual physical violence rears its head, it’s almost a relief. Cringefully […]
Joker: Notes from Underground
Christopher Sharrett
October 16, 2019
By Christopher Sharrett. In what follows I am conscious that Todd Phillips’ Joker is another addition by a corporation to its “DC universe,” although it is spoken of as a “stand alone” film (with no relevance to comic book mythology?). I am also aware that many aren’t interested in this […]
Before Kane – Marching Song: A Play by Orson Welles with Roger Hill, Edited by Todd Tarbox
October 14, 2019
A Book Review Essay by Tony Williams. As we move further into the new millennium, we appear to benefit not only from development of new technologies enabling access to visual material previously unavailable, but also the emergence of important documents sometimes referred to but usually inaccessible to the general reader outside […]
The Spiral and the Fugue – This Thing of Darkness: Eisenstein’s Ivan the Terrible in Stalin’s Russia by Joan Neuberger
Thomas Puhr
October 7, 2019
A Book Review by Thomas Puhr. Joan Neuberger’s This Thing of Darkness (Cornell University Press, 2019) illustrates, perhaps more than any other cinema studies text I’ve read, the staggering attention to detail some filmmakers bring to their work. Subtitled Eisenstein’s Ivan the Terrible in Stalin’s Russia, it chronicles the inception, troubled […]