A Book Review Essay by Andrew Kolarik. [Author Pardis Dabashi] makes the case that an understanding of modernist authors’ relationship to cinema might allow their works to be read in a different light….” Losing the Plot: Film and Feeling in the Modern Novel (The University of Chicago Press) by Pardis […]
Still Underground: Films That Spill – Beyond the Cinema of Transgression
A Book Review Essay by Johannes Schönherr. German scholar Marie Sophie Beckmann discusses inherent contradictions of the ‘spilling’ of the films into other art forms as well as the ‘spilling’ of the films as ‘contained’ entities (films on video) to a worldwide audience in detail.’” When Nick Zedd, the mastermind […]
So You Think You’ve Seen Weird Docs?: Gary D. Rhodes on the Weirdumentary
By Roger Nygard. We yearn to know the secrets of our mind, whether its power can lead to telekinesis or precognition. We yearn to know what lies beyond, from the world of ghosts to the world of alien life forms….” –Gary D. Rhodes I remember how Hammer Film’s Five Million […]
The Return (2024): Penelope’s Looming Odyssey and Odysseus’s Trauma Narrative
By David Ryan. Aspires to explore important themes about perception and insight from a trauma-focused narrative but is often undone by its own scrimping of dramatic focus and coherence.” Uberto Pasolini’s The Return (2024) is a mature but disappointing adaptation of the last few books of Homer’s The Odyssey, centering […]
A Self-Defeating Genre Mashup: On Ryan Coogler’s Sinners (2025)
By Thomas M. Puhr. Coogler’s strong character work in the film’s first half undercuts his efforts to embrace pure horror in its second.” Spoiler Alert Ryan Coogler’s knack for bringing a humanist touch to a variety of genres—starting with social realism (Fruitvale Station), transitioning to crowd-pleasing sports sagas (Creed), and […]
A Critic During Critical Times – Chris Marker: Early Film Writings
By Jeremy Carr. It quickly becomes evident how astonishingly active Marker was at the time. And yet, as volume editor Steven Unger observes, [this collection is] just the beginning of what is hopefully a progressive release and appreciation of Marker’s writing.” When introducing Chris Marker: Early Film Writings, editor Steven […]
Alchemy, Technology, and the Cinematic Grimoire: E. Elias Merhige’s Begotten (1989)
By Gary D. Rhodes. How of one ounce of Silver maie Silver be noe more.” – Thomas Norton, The Ordinall of Alchimy (1477)* Embodied practice and cinematic technology yields alchemical crucible in E. Elias Merhige’s Begotten, a non-dialogue film of 1989 that the London Film Festival declared “breaks all moulds, […]
Syncretized Equality: Judge Priest, Early American Music, and Singing on the Front Porch
By Richmond B. Adams. John Ford’s Will Rogers vehicle has yet to receive the full credit for the complexities of its cultural commentary…. the present examination will argue that Judge Priest undermines the world it supposedly affirms.” From the middle-1920s through his death in 1946, my maternal grandfather, the Reverend […]
Joker Folie á Deux and the Shared Madness of Modern Film Critics
By Gary D. Rhodes. It is so very easy to hobgoblinize a film, even if one needs a thesaurus to ferret out an abundance of negative adjectives. And yet, I am struck by the sheer number of blatant errors and falsehoods about FáD that mainstream critics have relied upon.” Todd […]
The Unmanageable Maid
By Robert K. Lightning. Whether through indifference, innuendo, or caustic commentary, she makes her opinions apparent to her employers and, essentially, subverts any pretense of absolute authority over her. She is effectively unmanageable.” In honor of the fiftieth anniversary of its publication in 1973, I recently pulled Donald Bogle’s Toms, […]