By John Duncan Talbird. New Zealand has given the world actors Sam Neil and Russell Crowe and directors Jane Campion and Peter Jackson. But above all others, I would have to express a soft spot for New Zealander Jemaine Clement, one half of the folk pop comedy duo, Flight of […]
State of Siege: The Radical Potential of Realism
By William Repass. In today’s economic and political climate, it can be tempting to dismiss film as merely spectacle: a flimsy replacement for or deflection from lived experience that nonetheless empowers and enriches the few at the expense of the many. Even accomplished films, if we step back and consider […]
Invincible to the Extreme: Meru
By Elias Savada. I like looking at mountains. From a safe distance. Or on my computer screen saver. Occasionally, from above, in a well-protected, warm airplane. And, of course, from the comfort of a nice secure seat in a earthbound movie theatre. I’ll leave the climbing of such extreme big […]
A Director’s Labour of Love Gone Wrong: Ketan Mehta’s Manjhi: The Mountain Man (2015)
By Devapriya Sanyal. Beginning in 2012, the Indian film audience has been treated on and off to a number of excellent biopics – the topics being covered in these films varying greatly, both in terms of subject matter as well as treatment. Ketan Mehta’s Manjhi: The Mountain Man is one […]
Honor the Benefactor: Aviva Kempner’s Rosenwald
By Elias Savada. Aviva Kempner has struck again. A Jewish liberal landmark in Washington for many decades, she has forged a multi-faceted career that includes making documentaries that focus on people and events Jewish. The Washington Jewish Film Festival was started by Kempner in 1990 (she’s still on its advisory […]
Letting Your Freak Flag Fly: Pat Mills’ Guidance
By Elias Savada. The more you laugh at David Gold, the more you want to smack him on the side of his loopy head. He’s the central character in Guidance — the feature debut from Canadian writer-director Pat Mills (who also stars) — and the world is his Goliath. His […]
Never Let Go: Not Your Typical Horror Fare
By Cleaver Patterson. It sounds odd that the screening for a film which is not primarily horror – at least in the generally accepted sense of the word – was the first to sell out at a festival dedicated to the genre. However that’s just what happened when tickets for […]
Split the Brew and Joints: Swanberg’s Digging for Fire
By Elias Savada. Joe Swanberg apparently hasn’t stopped mumbling yet. Known for his mumblecore films — micro-budget affairs shot on video with lots of actor improvisation — Swanberg has barely inched toward making more formal movies, starting with the craft beer romance Drinking Buddies a few years back. Growing more […]
A Frolicsome Ride: Cop Car
By Elias Savada. Somewhere out in the middle of America, amongst the Colorado cattle fields and its arrowhead-laden landscape, we find Travis (James Freedson-Jackson) and his long-haired buddy Harrison (Hay Wellford) roaming the plains. These ten-year-olds are either innocent pioneers out for a long, extended walk or have left home […]
Imprisoned by the Past: Narrative Mastery in Bota
By Brandon Konecny. In his foreword to William Faulkner’s novel Absalom, Absalom! (1936), John Jeremiah Sullivan points out that “a fundamental law of storytelling is: withhold information.” By this he means that instead of front-loading a story with character information—a charge of which a substantial amount of today’s screenwriters are guilty—a […]
