By Hannah Grayson. Yael Kipper and Ronen Zaretsky’s documentary film follows a group of cashiers as they work in a Tel Aviv supermarket. What we view is a tender portrayal of Russian and Israeli women moving through their everyday tasks and concerns. The plot contains few moments of drama, and […]
A Journalist and a Murderer (i.e., a Writer’s Fantasy): True Story (2015)
By Jude Warne. For a reviewer, for a journalist, to review and critique a film that champions and practically makes love to the journalist vocation is a uniquely complicated task. Writers believe that the art of writing is of utmost importance, but who knew everyone else did, too? Rupert Goold’s […]
John Schlesinger’s Darling (1965): the British Screen in Transition
By Paul Risker. There is a natural tension that permeates the Anglo-French relationship: two countries that have intertwined histories, have fought wars as both allies and foe, and even within the political sphere of the European Union tensions have continued to endure as if they are a natural formation. So […]
Russell Crowe Helms Aussie History: The Water Diviner
By Elias Savada. Wow! I didn’t know (insert actor’s name here) could direct! Actually I should clarify that. Can said actor direct a film that is (a) something that his or her fans will want to see whether or not he or she is in it, and/or (b) a well done, […]
The Authentic Death and Contentious Afterlife of Pat Garrett and Billy the Kid: The Untold Story of Peckinpah’s Last Western Film, by Paul Seydor (2015)
A Book Review by Tony Williams. It is very rare to encounter a critical work written by someone who combines the expertise of university professor, film historian, and film editor. Yet such is the position of Paul Seydor who is not only an Oscar nominated film editor with many credits […]
Constancy and Variation: An Autumn Afternoon as Ozu’s Final Testament
By Jeremy Carr. An Autumn Afternoon was director Yasujirô Ozu’s final film. He passed away a year after its release, on his 60th birthday, Dec. 12, 1963. Knowing that the film is indeed his last, it’s easy to look at it in terms of being a sort of grand summation […]
Hunting Elephants: In Search of….
By Elias Savada. With all the unrest in the Middle East, it seems that one of the few places where Israelis can gather these days for a good laugh would be at the cinema. Yet, despite the best efforts of its cast, Hunting Elephants is a tame comedic excursion into a […]
Fast & Furious 7: Balancing Frivolity and Depth
By Cleaver Patterson. Occasionally a film comes along which, though what unfolds on-screen is far from erudite, the final result manages the difficult feat of combining heart and spectacle to an equal degree. Fast & Furious 7 – the latest instalment in the worldwide cinematic phenomenon – will likely be […]
The BBC’s Israeli Drama Hostages: A Story of ‘Best Laid Plans’
By Paul Risker. Permeating contemporary film and television is the sense of an oppression of foreign language drama within storytelling, whose intentional or unintentional objective is the promotion of English as the officially sanctioned language of film and television drama. The words that most aptly describe this enduring threat are […]
Tall Tales: Now You Are, Now You’re Gone
By Noah Charney. Gangsters, guns, violence, wit. Let me begin by praising Tall Tales: Now You Are, Now You’re Gone (Suplje Price: Zdej te je, a zdej te ni) for being thoroughly un-Slovene. It has action and pace, two rare attributes in the world of Slovene cinema, which too often […]
