By Janine Gericke. Denis Villeneuve’s Enemy opens with a quote from José Saramago’s novel The Double, which Enemy is loosely based on, “Chaos is order yet undeciphered.” Well, that peaked my interest. College history professor, Adam Bell (Jake Gyllenhaal), leads a normal, yet fairly mundane, life. He spends his days […]
The Good Neighbour (2013)
By Sam Littman. Not one element of Astrid Schau-Larsen’s documentary The Good Neighbour is superfluous. For this and many tangential reasons alone it is appreciable; the 58-minute investigative effort principally concerned with relaying information and opinions as concisely as possible is satisfied with its borderline feature-length running time, sustains an acute focus […]
Cinema that Goes to Eleven: Mike “McBeardo” McPadden’s Heavy Metal Movies (2014)
A Book Review by Brandon Konecny. Let all metalheads throw up their devilhorns in celebration—Mike “McBeardo” McPadden’s blood-soaked, guitar-churning anthology Heavy Metal Movies: Guitar Barbarians, Mutant Bimbos, & Cult Zombies Amok in the 666 Most Ear- and Eye-Ripping Big-Scream Films Ever! is finally here, arriving from the hellish depths of […]
Weekend: Goodbye to Language 2D
By James Knight. Joint recipient of the Jury Prize at the 2014 Cannes Film Festival was Jean-Luc Godard’s Goodbye to Language 3D. Godard’s latest effort has been compared to a collage or a mosaic, and described as a freewheeling explosion of colours, sounds and cinematic politics. But simply, Goodbye to […]
Uwantme2killhim? (2013)
By Robert Kenneth Dator. The upshot of what some teens would call a relationship in a world of cyberslaves sees rachel_angel83 (Jaime Winstone) and Mark87 (Jamie Blackely) carry an online relationship to devastating ends. But don’t try to figure out what will happen and who might be to blame because […]
Birth of the Living Dead (2013)
By Cleaver Patterson. Film documentaries are the cinematic equivalent of a written biography. As a result, it follows that those which include input from actual people involved with the subject, will take on something of an autobiographical tone. Such is the case with Birth of the Living Dead, which charts […]
Living Stars (2014)
By Gary M. Kramer. One of the highlights of Awesomefest’s summer line up is the free July 3 screening of the irresistible documentary, Living Stars, at 9:00 pm at Clark Park , 4398 Chester Ave, in Philadelphia. This infectious, plotless film is an hour-long assemblage (by directors Mariano Cohn and Gastón Duprat) […]
Double Indemnity (1944)
By Jeremy Carr. This year marks the 70th anniversary of one of the greatest film noir ever made, perhaps the quintessential title of that perpetually popular and occasionally fluid cinematic category. To celebrate the occasion, a new restoration of Billy Wilder’s Double Indemnity premiered at the recent TCM Classic Film […]
A Time to Love and a Time to Die (1958)
By David Sterritt. Hans Detlef Sierck left Germany in 1937, arrived in the United States four years later, Americanized his name to Douglas Sirk, and directed his first Hollywood picture, Hitler’s Madman, in 1943, when the madman Adolf Hitler was still at large and ravaging the world. During the next […]
Throne of Blood: An Ethereal Play of Light and Shadow
By William Repass. Wind and mist over hills that turn out to be ruins. A funereal sutra chanted over the soundtrack. Beside a cluster of graves, the rough-hewn marker reads: “Here Stood Spider Web Castle.” These opening shots yield enough story material to piece together not only the outcome of everything […]
