By Cleaver Patterson. Superman has been reborn, and from hereon shall be known as the Man of Steel – at least he will if Warner Bros. Pictures’ new CGI heavy extravaganza is to be believed. Forget anything you think you know about Clark Kent and his alien alter-ego, as this […]
Museum Hours (2012): A San Francisco International Film Festival Review
By Mark James. Here’s a problem: people are things as well as they are people. Not as much as people are people, clearly, but people’s sensual bodies as well as their social being exist in precisely the same plane of things-in-the-world, as junk at a flea market or artifacts in […]
Chimeras (2013): A San Francisco International Film Festival Review
By Mark James. The documentary Chimeras is a contemplative, respectful attempt to look at Chinese modernity through the lens of its art. The film ends with a tripartite definition of the title. A chimera is a mythological beast made of different animal parts; a wild, unrealistic dream or fantasy; and […]
Art and Devotion: Documenting Ricky Jay
By Matthew Sorrento. Just like the cinema, the magic show is rooted in the nature of looking. After all, the illusionist’s art is to trick the eye into seeing something different, or redirecting the eye’s attention. The earliest cinematic prototypes, like the zoetrope and the kineograph, produce optical illusions but […]
Bury The Hatchet (2010)
By Robert Kenneth Dator. Bury The Hatchet? Where is the conflict? The title of this beautifully shot documentary would constitute something of a double entendre if one could find the combatants. There is poetic strife of a sort; factionalism of a sort; mild hostility; competition, but no long-standing feud; no […]
Now You See Me (2013)
By Jacob Mertens. Cinema can be seen as an act of illusion. Scenes that filmed separately become a cohesive whole, real footage blends seamlessly with CG, and a story moves at the behest of a surreptitious screenwriter. Naturally, Louis Leterrier’s Now You See Me finds an appropriate medium for its […]
Blow Out
By Cleaver Patterson. Director Brian De Palma’s classic 1981 conspiracy thriller Blow Out is not just a marvellously realised exercise in rising paranoia, but also a stylishly twisted example of one of Hollywood’s masters of suspense at the height of his powers. John Travolta stars as Jack Terry, a technician […]
66th Cannes Film Festival Day 12 – Revisiting the Palme d’Or Winner La Vie d’Adèle
By Moira Sullivan. In an unprecedented decision, the jury for the official competition of the 66th Festival de Cannes, led by President Steven Spielberg, awarded the French-Tunisian director Abdellatif Kechiche and French actresses Léa Seydoux and Adèle Exarchopoulos the Palme d’Or for La Vie d’Adèle – Chapitre 1 & 2 (Blue is the […]
66th Cannes Film Festival Day 11 – Michael Kohlhaas, Cinema de la Plage and the 2013 Queer Palm Award
By Moira Sullivan. Michael Kohlhaas Arnaud Des Pallière’s Michael Kohlhaas failed to engage spectators because of the slow pace and tough to chew narrative construction. The dramaturgy forced viewers to wait out the step-by-step construction of the film. For relief, most of Kohlhass is shot in the Cévennes mountains and […]
Star Trek Into Darkness (2013)
By Jacob Mertens. The modern blockbuster has become a strange, new beast before our eyes. In the nascent days of the Star Trek series, the fantasy of galactic travel could only prove as tangible as limited special effects technology allowed. Now, the aesthetics of the science fiction film take on […]
