Review

By Matthew Sorrento. Passive victims of crime are rare in popular American cinema. In Crime Films, scholar Thomas Leitchobserves that a lead character, if violated, will move toward vengeance, either on his/her own or with assistance. A strong exception is the new abuse victim film (Mysterious Skin, Towelhead, Precious), which […]

by Matthew Sorrento. This film desperately wants to be talked about. With great effort, We Need to Talk about Kevin presents itself as, in the words of 19th century critic Matthew Arnold, a work of high seriousness, to pitch a personal hard-sell as high art. This claim is more valid […]

By Joseph Wright. Terry Zwigoff’s critically acclaimed documentary, Crumb, explores the life and career of controversial underground artist, Robert Crumb, as well as his reclusive and troubled family members. Beginning with Crumb’s career, the film thrusts the viewer into the artist’s success by displaying footage from an art show dedicated […]

By Gary M. Kramer. Radu Muntean’s Boogie (aka Summer Holiday) made in 2008, is a slight, but compelling drama about the title character, Bogdan (Dragos Bucur), once nicknamed “Boogie.” The film opens with Bogdan playing with his son Adi (Vlad Muntean, the director’s own child) on the sparsely populated beach. […]

By Janine Gericke. Most people probably know Josh Radnor from his CBS sitcom How I Met Your Mother, but thanks to word of mouth and Netflix instant streaming, more people are getting to know Josh Radnor, feature film writer, director and actor through his first film Happythankyoumoreplease (2010). Happythankyoumoreplease was a solid debut filled with […]

By Steven Harrison Gibbs. You are one of the few who survive a terrible accident that leaves you stranded in the midst of a vast tundra wilderness. You might be a few miles from civilization; you might be hundreds. Warmth is scarce; food even scarcer. To make your situation more […]

By Salomon Rogberg. The other day I read in one of Sweden’s largest daily newspapers Dagens Nyheter, that biopics were on the rise. Maybe the critic was right. Both Margaret Thatcher, who was the British prime minister between the years 1979 to 1990, and J Edgar Hoover, the first director of […]

By Celluloid Liberation Front. “It’s such a struggle to self-produce your own film” sighs Davide Manuli. “You’ve got no idea, cinema is a rigid and harsh structure that does not allow any intrusion among its ranks,” he continues. Far from being dispirited, the director of La Leggenda di Kaspar Hauser […]

By Steven Harrison Gibbs. A new year in horror cinema is upon us, and kicking it off is another entry into the exceedingly popular ‘found footage’ subgenre. The film opens – as many of its kind do – with intertitles explaining what lies ahead; this is followed by audio and […]

By Christopher Sharrett. Upon viewing Stephen Daldry’s Extremely Loud and Incredibly Close, I am reminded of the difficulty the American mind has in conceiving its own destruction, at least by the Other. When it attempts to imagine such destruction, it is cast in apocalyptic terms suggesting no other atrocity could […]