Eye on (and Off) the Ball: William Klein’s The French (1982)

By Thomas Puhr. Beyond just chronicling an event, Klein’s sports doc is a cultural artifact in and of itself – not about the time, but of it. With this year’s French Open making the rounds on the news, now is an ideal opportunity to revisit the tournament’s famous 1981 competition, […]

From Burundi with Cyberpunk: Neptune Frost

By Elias Savada. A vibrant celebration of homegrown culture set against an African dreamscape tinged with Marxist underpinnings.” Thou Shalt Not Exploit Technology might be one of the newer commandments to be considered after inputting this new, unconventional avantgarde piece, a self-proclaimed cyberpunk musical filmed in Burundi. It played at […]

Still Cruisin’ After All These Years – Top Gun: Maverick

By Elias Savada. Old fashioned fun.” Seemingly frozen in chivalrous time, the ever-youthful 59-year-old Tom Cruise is back in fine form 35-plus years after he scored big box office bucks with the original Top Gun. History should repeat itself for this long overdue sequel (with an additional two years tacked […]

Doctor Strange in the Multiverse of Madness: Demon Fatigue

By Elias Savada. Sam Raimi follows the Marvel bible but still manages to have his own directorial flair…. Action is almost non-stop, and you might just be gasping for air as you stick it out through the final credits.” Note: Some spoilers follow relating to “character developments” in this film. […]

Quietly Radical Filmmaking: Céline Sciamma’s Petite Maman

By Theresa Rodewald. Deceptively short but its impact and heart are huge. This is quietly radical filmmaking: Sciamma shows us that there is an alternative to narratives shaped by the patriarchy….” “You are often unhappy,” says 8-year old Nelly to Marion who is the same age as her but also […]

More Than Tradition: Fiddler’s Journey to the Big Screen

By Elias Savada. An affectionate tribute blending some behind-the-scenes material and mostly older (but still quite original) interviews with the film’s star Topol and others.” Harvesting a long-running infatuation with thrice Oscar-nominated director Norman Jewison, producer-director-editor Daniel Raim, an Oscar-nominated (for the 2001short subject The Man on Lincoln’s Nose) documentarian […]