Sound and Vision: Kantemir Balagov’s Beanpole

By Thomas Puhr. You hear before you see anything: a muffled gurgling noise accompanies the black screen over which the opening credits play. This disorienting audio elicits several questions (Who, or what, is making these noises? Are they sounds of pleasure, discomfort, pain?), all before a single image appears. With […]

Chile, a Rough Beast Emerging: Patricio Guzman’s The Cordillera of Dreams

By Michael Sandlin. In this, the third and final entry of Chilean exile filmmaker Patricio Guzman’s documentary trilogy poetically examining his native country, he uses the famous Cordillera mountains as his geographical and philosophical centerpiece. From the initial lavish overhead shots of this majestic mountain range we eventually get to […]

The “Kids” are Back: Rene Eller’s WE

By Gary M. Kramer. We (aka Wij), now available on DVD and Blu-ray from Artsploitation Films, is being billed as a shocking story of reckless, amoral youth. The film features pornography and explicit sexuality (involving teens), death, (teenage) prostitution, blackmail, more sex, more death, violence, rape, and more bad behavior. […]

Cinema of Hidden Histories: Leontina Vatamanu’s Siberia in the Bones (2019)

By Brandon Konecny. Moldova has a fascinating recent history, and Leontina Vatamanu is perhaps its most articulate cinematic chronicler. Poke through her films, and you’ll realize that her cinema is one of hidden histories: whether it’s exploring one of Moldova’s most famous modern poets and politicians in Grief of Ion […]

The Language of Lovecraft: Richard Stanley’s Color Out of Space

By Alexandra Heller-Nicholas. To say that the US premiere of cult filmmaker Richard Stanley’s much-awaited return to feature filmmaking was one of the most buzz-laden events at this year’s Fantastic Fest in Austin, Texas, is an understatement. On one hand this was driven by the enigma of Stanley alone, director […]