Enthralling Familiarity: Claudio Giovannesi’s Pirahnas

By Ali Moosavi. Pirahnas, which won the Silver Bear for Best Screenplay at the 2019 Berlin Film Festival, is based on a novel by Roberto Saviano, who also co-wrote the screenplay. Saviano also performed this double duty on Gomorrah (Matteo Garrone, 2008). Pirahnas begins with a scene inside a deserted […]

The Mountain: A Discouraging Word

By Christopher Sharrett. My subtitle is taken from a moment in Rick Alverson’s film The Mountain, where we see a black-and-white, furniture-bound TV, the type representative of the 1950s, showing Perry Como singing “Home on the Range,” a song that is close to a national anthem, and is referred to as […]

Diverted Dreams: Astronaut (2019)

By Jeremy Carr. Septuagenarian grandfather Angus (Richard Dreyfuss) has harbored dreams of space since he was a child. Although the waning years of his life have generally clouded those fancies, thanks to life’s bitter two-pronged tinge of disappointment and regret, he still looks to the stars in order to “see […]

On the Border, with Soap Opera: Tel Aviv on Fire (2018)

By Yun-hua Chen. What would bring the two opposing sides across the Israel-Palestinian borders together? Tel Aviv on Fire’s answer is, through a popular tear-jerking soap opera and some good hummus. The film follows a naïve and melancholic young Palestinian man, Salam (Kais Nashif), who initially works as an assistant […]

The Kurious Kase of a Kinski Krimi: Riccardo Freda’s Double Face

By Rod Lott. Ah, young love! When John (enfant terrible extraordinaire Klaus Kinski) meets Helen (Margaret Lee, Venus in Furs) on holiday in 1969’s Double Face, their courtship is instant and intense, with bedding and wedding in quick succession. Within two years, predictably, the white-hot flame of love has burned […]

In the Heart of the World: Soap Opera Meets Social Realism in Brazil

By Martin Kudláč. The Brazilian cinema has been in the viewfinder of the International Film Festival Rotterdam for some time now and certainly for a good reason. New talents have been emerging and captivating cinema has been pouring out of the country despite the ever-increasing political turbulences. Brazilian films have been […]

Bonding vs. Protection: Jan Zabeil’s Three Peaks

By Gary M. Kramer. Made in 2017, but just getting a release now, Jan Zabeil’s Three Peaks is a flinty chamber drama set mainly in the Dolomites. And despite the spectacular mountain range location – the title refers to Aaron’s (Alexander Fehling) favorite rock formation – most of this nervy film is extremely claustrophobic. The story […]

Forbidden Desire: The Reports on Sarah and Saleem

By Ali Moosavi. If the quality of a country’s cinema is judged on a per capita basis, then surely Palestine would be sitting at the top table. For a country boasting a population of less than five million, it has consistently been producing films of a very high standard and […]

Reconciliatory Depiction of Time: Richard Billingham’s Ray & Liz

By Mina Radovic. Richard Billingham’s debut as a director is an unjudgmental, observational, frequently difficult, and highly internalized portrait of his family. Composed to the brim, glacial but consistent in its movement of the camera, with a beautifully decaying pastel colour texture, the film follows a series of interconnected vignettes […]