Beautiful Hopelessness: Lynne Ramsay’s You Were Never Really Here

By Thomas Puhr. On paper, Lynne Ramsay’s breathtaking You Were Never Really Here (2017) sounds like one of Luc Besson’s off-the-cuff side projects, ala Taken (2008) or Colombiana (2011). After a mysterious war veteran, Joe (Joaquin Phoenix, who is only getting better with age), rescues a senator’s abducted daughter from […]

An Insufficient Measure of Novelty: Jim Loach’s Measure of a Man (2018)

By Brandon Konecny. There’s a scene in Measure of a Man where Bobby (Blake Cooper) bickers with his sister Michelle (Liana Liberato) after she knocked the scoop off his chocolate-dipped ice cream cone. A shirtless Pete Marino (Luke Benward) interrupts their squabbling and introduces himself to Michelle. This leads to a […]

Becoming Cary Grant: The Awful Truth from Criterion

By Tony Williams. It appears very unusual to think that the debonair star we tend to think of as an actual person was an invention, someone whom the actor himself would have liked to be in real life. Though seeing some of his films theatrically on first release such as […]

Ghost Stories: Earnest and Campy

By Alex Brannan. To break it down into the simplest of taxonomies, there are two types of horror anthology film: those which present discrete short films preoccupied around a central theme, and those which situate their shorts within a frame narrative. Both types have had a long cinematic history – […]

Celebrating a Life Well Spent: Itzhak

By Elias Savada. It’s fitting that this refreshing documentary starts out with the world renowned violinist Itzhak Perlman performing a rousing rendition of The Star Spangled Banner at Citi Field in Queens, New York. He may have been born in Tel Aviv 70-plus years ago, but he’s a die-hard Mets fan […]

Where is Kyra?: Women in Transition

By Christopher Sharrett. I have no reservations about using a central, foundational handbook serving women as the subtitle to this piece (in part because my wife was co-author of the original edition), since the topic of Charles Dosunmu’s excellent film is women made peripheral and in transit in the current […]

The Endless: Who’s Crazy Now?

By Elias Savada. I’ve been a fan of horror maestros Justin Benson and Aaron Moorhead ever since catching their 2012 feature debut Resolution at that year’s SpookyFest in Washington DC. Last year that festival (following the lead of the Tribeca Film Festival, where the filmmakers are deservedly well appreciated) also sported […]