Becoming Cary Grant: The Awful Truth from Criterion

By Tony Williams. It appears very unusual to think that the debonair star we tend to think of as an actual person was an invention, someone whom the actor himself would have liked to be in real life. Though seeing some of his films theatrically on first release such as […]

Ghost Stories: Earnest and Campy

By Alex Brannan. To break it down into the simplest of taxonomies, there are two types of horror anthology film: those which present discrete short films preoccupied around a central theme, and those which situate their shorts within a frame narrative. Both types have had a long cinematic history – […]

Celebrating a Life Well Spent: Itzhak

By Elias Savada. It’s fitting that this refreshing documentary starts out with the world renowned violinist Itzhak Perlman performing a rousing rendition of The Star Spangled Banner at Citi Field in Queens, New York. He may have been born in Tel Aviv 70-plus years ago, but he’s a die-hard Mets fan […]

Where is Kyra?: Women in Transition

By Christopher Sharrett. I have no reservations about using a central, foundational handbook serving women as the subtitle to this piece (in part because my wife was co-author of the original edition), since the topic of Charles Dosunmu’s excellent film is women made peripheral and in transit in the current […]

The Endless: Who’s Crazy Now?

By Elias Savada. I’ve been a fan of horror maestros Justin Benson and Aaron Moorhead ever since catching their 2012 feature debut Resolution at that year’s SpookyFest in Washington DC. Last year that festival (following the lead of the Tribeca Film Festival, where the filmmakers are deservedly well appreciated) also sported […]

A Genre Reclaimed: Coralie Fargeat’s Revenge

By Alex Brannan. There is a critical stigma to the small subset of films that comprise the rape-revenge genre – or, at the very least, a healthy hesitation. In 1980, Roger Ebert famously took down Meir Zarchi’s I Spit on Your Grave, calling it “a vile bag of garbage … without […]

An Archive of Indoctrination: Hitler’s Hollywood

By Jeremy Carr. Even if there wasn’t a compelling, underlying thesis to Hitler’s Hollywood: German Cinema in the Age of Propaganda: 1933–1945, this 2017 film by Rüdiger Suchsland would still be a valuable, fascinating record. For the sheer breadth of assembled material, an overwhelming array of Third Reich-era film clips from […]