Coincidence and Conviction: Irving Pichel’s Tomorrow is Forever (1946)

By Jeremy Carr. It takes a sustained suspension of disbelief to accept what is tendered by Tomorrow is Forever. To permit the premise of this 1946 romantic drama, it is imperative for one to pardon its convoluted plotline and its unyielding dedication to coincidence. And fortunately, such is the quality of […]

Too Much “Up-skirt”: Lipstick Under My Burkha

By Devapriya Sanyal. Alankrita Srivastava’s Lipstick Under My Burkha looks at the lives of four women who live in Hawai manzil: Bua ji, who has forgotten her own name as no one calls her by that name anymore; Leela, who works in a neighbourhood beauty parlour and soon to be married; and […]

Laughing at the Land of Oddz: Closure

By Elias Savada. There have been plenty of movies that have skewered the sunbaked air of Los Angeles and the strange people who breathe it – Mick Jackson’s L.A. Story and Robert Altman’s The Player remain two of my favorites – but folks, if you find somewhere showing writer-director Alex Goldberg’s Closure following its world […]

The Boy Who Fell To Earth: The Astronaut’s Bodies (Die Körper der Astronauten)

By Elias Savada. Russian-born and German-trained Alisa Berger shows off her experimental and artistic tendencies in The Astronaut’s Bodies, a graduation project for the Academy of Media Arts in Cologne. Her first feature is a meditative family drama that extends its light story line (also by Berger) into juxtaposed threads […]

Disorder in the Court: The Insult

By Elias Savada. When 46-year-old automobile mechanic Tony George Hanna (a piercing-eyed Adel Karam) is first seen in The Insult, he’s at an open air rally supporting the country’s right wing, anti-refugee political faction. At home, a photo of his hero hovers over the crib of his soon-to-be-born daughter, despite pleas […]