By M. Sellers Johnson. Rather than provoking a kind of response from nothing, we hoped to shape the characters out of the reality of their lives and reality experiences. As a director, I feel that it is more important to listen than to talk.” Oceans Are The Real Continents is […]
Restauranteur, Dance Instructor, Hitman: Kazuo Mori’s A Certain Killer and A Killer’s Key (Arrow Video)
By Thomas M. Puhr. Light on their feet but not rushed, fun but not goofy, these films deliver just about everything you’d want from the hitman genre….” In 1967, Japanese director Kazuo Mori released back-to-back actioners starring Raizô Ichikawa as the archetypal hitman. Coldblooded, principled, calm under pressure—and often seen […]
It’s a Mad World, After All: Marco Ferreri: The Films of an Italian Provocateur
A Book Review by William Blick. In the true spirit of monomaniacal, egomaniacal, and nomadic film auteurs everywhere, Curti brings a vivaciousness to the text that immersed this reader into the brilliant and grotesquely absurdist world of Ferreri.” In film scholar Roberto Curti’s new book Marco Ferreri: The Films of […]
A Lebanese Artist Challenged: Eric McGinty’s Stockade
By Ken Hall. Ahlam’s mission acquires a Hitchcockian aspect as this law-abiding artist in the US becomes trapped in a situation which she does not understand, with mysterious people posing a threat to her safety.” This subtly presented independent mystery-drama relates the economic and emotional challenges facing Lebanese artist Ahlam […]
Considering the Last Breath: An Interview with Costa-Gavras
By Ali Moosavi. It’s an important personal lesson to myself to learn to prepare myself to die with dignity. The others cannot help you and I think you have to know the truth.” —Costa-Gavras I first became aware of Costa-Gavras, and quickly became a fan, in the Seventies after watching […]
Eve and Her Siblings: Edward Burns’ Millers in Marriage
By Jonathan Monovich. Burns intends on making the Millers artists and is keen to understand that partnerships, like artists, do not always have the spark.” Writer/Director/Actor Edward Burns has long strived to live by Robert Bresson’s words “make visible what, without you, might perhaps never be seen.”1 His first film, […]
Blurred Boundaries, Inside and Outside of Marriage: Alan Zhang on This Woman
By Yun-hua Chen. During the pandemic, Li Haihai and I discovered a shared fascination with portraying a female figure navigating life inside and outside of marriage.” Beibei—a daughter, a wife, a mother—finds herself at a crossroads when she loses her steady job and faces the uncertainties of the pandemic. In […]
Sweet Dreams: Irony, Power Dynamics, and Dance in Kinds of Kindness
By M. Sellers Johnson. Through acute genre-defying sensibilities of black comedy, arbitrary of conduct, supernatural inflections, and elusive drama, the multi-narrative Kind of Kindness presents messy, yet biting tales of humanity beset by submission, conspiracy, and cults of persuasion.” Kinds of Kindness (2024) is a vigorous power play of peculiar […]
Unstoppable: Wrestling and the Plasmatic
By Justin Muchnick. No amount of movie magic, it seems, can fully replace Robles’ own unparalleled plasmaticness. I only wish Sergei Eisenstein could have seen this film, too….” The Soviet director Sergei Eisenstein, pioneer of film theory and lover of Disney cartoons, coined the term plasmatic to describe the ecstatic […]
Architects of Their Own Stories – The Cinema Coven: Witches, Witchcraft and Women’s Filmmaking
A Book Review by Dávid Szőke. Alexandra Heller-Nicholas reveals the potential of contemporary filmmaking to challenge conventional cultural narratives about the witch, offering these figures greater space where they are no longer just passive objects of our anxieties but architects of their own stories.” The figure of the witch as […]