A Film/Book Review by Tony Williams. While we eagerly await the Criterion release of The Sound of Music with audio-commentary by Quentin Tarantino, joking aside, it is pleasurable to see Kino-Lorber’s latest contribution to a prestigious film repertoire needing release to a wider audience rather than already seen “usual suspects.” […]
Scholar, Lawyer, Catcher, Spy: The Spy Behind Home Plate
May 29, 2019
By Elias Savada. I can’t take credit for creating that tagline, but it is a perfect John Le Carré allusion. It’s from author Nicholas Dawidoff (who appears in this film), who used it as a title for a 1992 article for Sports Illustrated about a most unusual renaissance man. Aviva Kempner, […]
Beyond the “Post-Western” – Marlina: A Murderer in Four Acts
Matthew Sorrento
May 29, 2019
By Matthew Sorrento. Marlina begins with a scenario all too familiar: the title character, recently widowed, is now an object of desire (her body and fortune) for local men. One immediately arrives to her home as if ready to take ownership. Accusing her of sleeping around since her husband’s death, […]
Pondering the Ponderous: Malick’s A Hidden Life (Cannes 2019)
Ali Moosavi
May 28, 2019
By Ali Moosavi. My relationship with Terence Malick films has been love and hate. Watching Badlands (1973) back in the 70s was like a breath of fresh air; a film that, for me, has aged extremely well. Then the experience of watching a 70mm version of Days of Heaven (1978) in […]
Look and Listen: Portrait of a Lady on Fire (Cannes 2019)
Ali Moosavi
May 28, 2019
By Ali Moosavi. Somehow I had not seen any of Celine Sciamma’s films until watching Portrait of a Lady on Fire at this year’s Cannes Film Festival, where it was in the main completion section. The beginning of the film can serve as a lesson for any budding screenwriter in […]
Screening Communities: Negotiating Narratives of Empire, Nation, and the Cold War in Hong Kong Cinema by Jing Jing Chang
Tony Williams
May 24, 2019
A Book Review by Tony Williams. Hong Kong cinema studies has received detailed coverage over the decades in works written about specific periods and studios such as Shaw Bros and Cathay in addition to focus on various directors and stars. Since the beginning of the Hong Kong Film Festival (1976- […]
Where Has the Film Gone?: My Son
May 24, 2019
By Gary M. Kramer. My Son purports to be a taut thriller about a desperate father’s search for his missing seven-year-old son. However, while this efficient French film includes a few tense moments, it also has more than its fair share of frustrating ones. Director Christian Carion, who also co-wrote […]
A Traditional Period Piece: Once Upon a Time in Hollywood (Cannes 2019)
Ali Moosavi
May 22, 2019
By Ali Moosavi. Twenty-five years ago Pulp Fiction premiered at Cannes, won the Palm D’Or, and had an everlasting impact on the art of film making. Numerous films have been influenced by its structure, and the term “Tarantinoesque” has become commonplace. This year, Tarantino was back in Cannes to unveil […]
A Disquieting Tale: Unarmed Man
May 21, 2019
By Elias Savada. Harold Jackson III is a very focused, and quite talented, individual. He does just about everything in Unarmed Man, his latest feature: executive producer, producer, director, writer, director of photography. He handles all chores well, as he has done for most of his career as a DC-based filmmaker, […]
Almodovar Most Personal: Pain and Glory (Cannes 2019)
Ali Moosavi
May 20, 2019
By Ali Moosavi. Pain and Glory is Pedro Almodovar at his most personal and confessional, in the same vein as Bad Education (2004). Salvador Mallo (Antonio Banderas) is a writer-director who has not worked for a number of years. One of his old films has been restored, and he has […]