Lakehouse Improvisation: Mikko Mäkelä on A Moment in the Reeds

By Tom Ue. With A Moment in the Reeds, London-based filmmaker Mikko Mäkelä seeks to fill the queer void in Finnish cinema: he returns, imaginatively and literally, to his native Finland through the character of Leevi (Janne Puustinen), who seeks to help his father Jouko (Mika Melender) repair their lakehouse. […]

Uma: Invoking Love, Death and an Elsewhere

By Devapriya Sanyal. Uma is Srijit Mukherji’s twelfth film in seven years. It is based on a real story, which by the director’s own admission he found on Facebook. He then set about writing a story based on the Bengali festival of Durga Puja, with an eponymous heroine, for Uma […]

Nicolas Roeg, 1928-2018

By Dean Goldberg. On November 23th, 2018, a particularly cold and rainy Saturday afternoon, my friend, Jonathan David, a commercial director living in Los Angeles, texted me a headline about the death of director Nicolas Roeg: “I heard this on BBC Radio and immediately thought of you,” it chimed. Unfortunately, […]

Fair and Balanced, for Real – Divide and Conquer: The Story of Roger Ailes

By Michael Sandlin. Alexis Bloom’s Divide and Conquer could have easily been conceived as a shameless liberal hit job on an easy target: far-right fake news guru and prolific sexual harasser Roger Ailes, founder of Fox News and the head bully-boy behind the modern Trumpian Republican political class. Yet this documentary […]

Choosing Your Own Family: Hirokazu Kore-eda’s Shoplifters

By Matthew Fullerton. Japanese director Hirokazu Kore-eda’s latest drama, the Palme-d’Or-winning Shoplifters (Manbiki Kazoku), is the story of an out-of-the-ordinary family: Osamu Shibata (Lily Franky) is a middle-aged man who, though physically able to work, prefers supporting his family through petty crime. He plies his trade with the boy Shota […]

More than Rippin’ or Rascality: Jonah Hill’s Mid90s

By Brandon Konecny. “My visceral reaction when I hear someone is making a movie about skateboarding is…I wish they [sic] wouldn’t,” says professional skateboarder Rodney Mullen. And his remarks are understandable. Aside from maybe Larry Clark’s Kids (1995), skateboarding has never fared well in narrative cinema, usually serving as an […]