Anti Matter: Alice Tumbles Down the Wormhole

By Elias Savada. Memory loss and Queen of Hearts madness team up against a you-shouldn’t-play-with-Mother-Nature anti-hero in Anti Matter, an ambitious and entertaining sci-fi effort from director-writer Keir Burrows. He’s a South African-born, U.K.-based filmmaker who has decided that a his feature debut would journey to (Alice in) Wonderland. Burrows has […]

A World of One’s Own: The Endearing Humanity of Pavel Cuzuioc’s Secondo Me

By Brandon Konecny.  Pavel Cuzuioc is a filmmaker with a flair for creating thoughtful meditations on working-class people, and he doesn’t diverge from this course in his recent documentary Secondo Me (2016), which concerns three employees at different European opera houses. Given its settings and Italian title (which means “in […]

Cops, Criminals, and Cultural Revolution: The Nile Hilton Incident

By Jeremy Carr. There are bound to be comparisons made between Tarik Saleh’s The Nile Hilton Incident and several films of the past. Understandably so. This 2017 thriller, a multinational coproduction, has the embittered cynicism of Roman Polanski’s Chinatown (1974) and the seedy city view of Martin Scorsese’s Taxi Driver (1976), […]

The Last Hurrah of John Garfield: Criterion’s The Breaking Point (1950)

By Tony Williams. Since the inclusion of a co-written article by Tom Flinn and John Davis in the pre-David Bordwell University of Wisconsin-Madison era of The Velvet Light Trap (in an issue titled “Forbidden, Forgotten, Neglected and Unlucky Films”), Michael Curtiz’s The Breaking Point (1950) has been relatively neglected until […]