Amit Masurkar on Newton: A Tribeca Film Festival Interview

By Gary M. Kramer. Newton is co-writer/director Amit Masurkar’s nifty film about title character (a charismatic Rajkummar Rao), an election official who is sent to the jungle in central India to monitor a particular voting district. He is warned about Maoist guerrillas operating in the area, as well as explosives. […]

Taking Chances: An Interview with Doug Liman on The Wall

By Jeremy Carr. Doug Liman’s lifelong interest in filmmaking first paid off with the breakout indie hit Swingers in 1996, his second directorial effort (his first was the little-seen 1994 comedy Getting In). The stylishly frenetic Go (1999) followed, then came The Bourne Identity (2002), the initial installment of the […]

In Need of Russian Heroes: An Interview with Alexander Nevsky on Black Rose

By Sergey Toymentsev. Alexander Nevsky is a Russian bodybuilder turned actor, writer, producer, and now director. Before coming to Hollywood in 1999, he established himself as an enthusiastic promoter of fitness as a lifestyle in post-communist Russia. Besides being a media star and hosting his own TV show there, he […]

It’s a Family Affair: Guardians of the Galaxy Vol. 2

By Elias Savada. Yeah, a lot of folks have been waiting for this one. Three years ago, the creative and marketing folks behind Guardians of the Galaxy tossed the big budget dice and won big. The visionary sci-fi mashup wowed worldwide audiences and nine out of every ten critics, while also pulling […]

Destination Unknown (Tay Garnett, 1932) at the Museum of Modern Art

The Museum of Modern Art is screening the extremely rare 1933 Tay Garnett film Destination Unknown as part of its “Son of Universal: More Rediscovered Gems from the Laemmle Years” retrospective. Starring Pat O’Brien and Ralph Bellamy, the film has been unseen for decades and was rescued from oblivion by […]

Film Scratches: Monuments to Guilt – Schuld Sind Alle (2014)

Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. Schuld Sind Alle is Viktor Dill’s thoughtful five-minute Super8 elegy to the Invalid’s Cemetery in Berlin. The film begins with a […]