By Tony Williams. Long awaited by many, following either unavailability or dubious accessibility via duped 16mm copies, unwatchable VHS copies, and bootlegged DVDS, two of Welles’s most accomplished achievements are now available, thanks to the Criterion Collection’s high standard of reproduction. I first saw Chimes at Midnight theatrically in the […]
The 35th International Sergio Amidei Award for Best Film Script
August 31, 2016
By Simonetta Menossi. The International Sergio Amidei Award for Best Film Script is a yearly event that takes place in Gorizia, Italy. The Award is entitled in the memory of Sergio Amidei (1904-1981), one of the most famous screenwriters of Italian Neorealism. He worked with director Roberto Rossellini for whom […]
Hope in the Search of Lost Films by Phil Hall
A Book Review by Irv Slifkin. Phil Hall did a great service to film fans seeking the forgotten and obscure with his regular column “The Bootleg Files” that ran for years on the FilmThreat.com (regrettably defunct). A film programmer, publicist in indie film, author of six previous books and prolific writer, Hall […]
Once There Were Bawdy Tales: Nosrat Karimi’s Matrimonial Comedies
By Ramin S. Khanjani. Of all directors associated with the pre-1979 “Iranian New Wave,” Nosratallah Karimi probably presents one odd case for study. With the inconsistent critical reception of the films he has to his credit as an actor and director,[1] Karimi is classified as belonging to a borderline sub-group […]
The Voice of a Frenetic, Heated Cinema – E̒ric Rohmer: A Biography by Antoine de Baecque and Noël Herpe
August 23, 2016
A Book Review by James Knight. E̒ric Rohmer’s irrefutable place in the cathedral of film auteurs has been long since reserved. With films such as My Night with Maud in 1969, and Claire’s Knee in 1970, being among others, examples of the Rohmerian cinema that found poetry and philosophy in the […]
The French Spirited Away to New York: Phantom Boy
August 19, 2016
By Jessica Baxter. Co-directors Jean-Loup Felicioli and Alain Gagnol follow up their Oscar nominated film, A Cat in Paris, with Phantom Boy, a film that is perplexingly set in New York City, though everything else about it is as French as can be including the humor and animation style. The script […]
A Film of its Time: Spies, Fritz Lang’s Enduring Espionage Thriller
August 18, 2016
By Jeremy Carr. Fritz Lang’s Spies gets underway with a burst of kinetic energy, its first 15 minutes or so a case study in the advancement, endurance, and perhaps surprising vibrancy of late silent cinema. Released in 1928, this crime-thriller has a rapid-fire opening that drops the viewer headlong into […]
Lo and Behold – Can You Hear Me Now?
August 18, 2016
By Elias Savada. Werner Herzog’s documentaries tend to explore interesting lands or unusual people: the Chauvet caves in France (2010’s Cave of Forgotten Dreams), the frozen beauty of Antarctica (2007’s Encounters at the End of the World), or bear lover Timothy Treadwell (2005’s Grizzly Man) Now he catches up to something we find around […]
Time in “the Shack”: A Fuller Life
By Tony Williams. “The hatemongers and reactionaries are the most loathsome thorns in the eye of a great Democracy. Every generation has its own and they must be fought and defeated” (William Friedkin reading from A Third Face [2002] by Samuel Fuller). A Fuller Life is a daughter’s cinematic tribute to […]
La Chienne: Renoir Begins
By Christopher Sharrett. While the film is credited with bringing German Expressionism to French cinema and thus another step toward film noir, the film is notable for its sense of stillness….” My title is a bit misleading, since Jean Renoir made a number of films in the silent era (none […]