By Elias Savada. Producer-director-editor Jeffrey Schwarz – I Am Divine (2013), Vito (2011), Spine Tingler! The William Castle Story (2007) – is back in original action form from his day job as the creator of electronic presskits and supplemental home digital content. He brings us Tab Hunter Confidential, a laid-back examination of the […]
Trumbo: Wit in the Face of Pathos
By Matthew Sorrento. Dalton Trumbo’s story is an ideal one to represent the golden age of Hollywood. A famed screenwriter with literary roots (as the winner of the National Book Award for Johnny Got His Gun, 1939) who worked successfully within the studio system for around a decade (late 30s to 40s), […]
“Never Say We’re Making It Up”: An Interview with Marc Lahore on The Open
By Tom Ue. Marc Lahore grew up between a mountain of VHS and a heap of comics. He became a voluntary projectionist, then a TV editor, pursuing at the same time a university course in English language and culture. He directed a series of quite different, often strange, short films (the […]
Caustic Commentary on Millennials in Horror: The Case of The Funhouse Massacre
By Sotiris Petridis. The horror film usually incorporates social critiques within its filmic texts. The Texas Chainsaw Massacre (1974) has been described as a commentary on the post-Vietnam era, while the slasher film subgenre of the 1980s critiques this conservative period when the AIDS crisis was one of the main concerns […]
FilmInt on the Underground: Art and Sacrifice in Artworkers
FilmInt on the Underground is a blog dedicated to emerging filmmakers. By April L. Smith. Andrzej Jachimczyck’s documentary Artworkers is less than twenty minutes long, yet in that short span of time, the film manages to cover so much history through subtle layering and narration. Artworkers is an exploration of […]
The Shooting and Ride in the Whirlwind: Titles that Don’t Lie (and a Jack Nicholson who Doesn’t Flip Out! – Yet)
By Jude Warne. The Shooting and Ride in the Whirlwind (both 1966), recently released as a joint Blu-ray set via The Criterion Collection, are two Monte Hellman Westerns that are as nondescript as their titles suggest them to be. And, much like the title of Hellman’s road picture, the Criterion-released […]
Where Nobody Looks Into the Camera: A Conversation with Frederick Wiseman
By John Duncan Talbird. Frederick Wiseman is one of the most important and influential American documentary filmmakers, living or dead. In a career that spans nearly a half-century, he has directed forty documentaries, exploring all manner of human institutions from the mental institution to the welfare office, from a high […]
The Weird World of Aimy in a Cage
By Elias Savada. It’s not just that the always quirky Crispin Glover is featured in Aimy in a Cage that makes it weird. Of course, for the actor who gained everyone’s attention as George McFly in Back to the Future (1985) and was the eponymous sociopathic rat wrangler in the […]
From Dust to Glory: Speed Sisters
By Elias Savada. I’m not sure NASCAR saw this coming. I sure didn’t. Speed Sisters, which has been racing about the documentary film circuit since it’s world premiere at the Doha Film Institute’s Ajyal Youth Film Festival last December (the film bears a 2015 copyright notice, so I suspect it wasn’t […]
Gut(s) and Glory: Lucha Mexico
By Elias Savada. The smog hangs lightly over the partly cloudy skies of Mexico City as this story begins. A guitar with a Latin beat grabs the soundtrack. Trumpets blare. People walk the streets munching on tacos. The camera catches a sidewalk display with garish magazine covers adorned with body […]
