Guy Ritchie’s The Man from U.N.C.L.E. and the Politics of Escapism

By Richard Grigg. Director Guy Ritchie’s 2015 film The Man from U.N.C.L.E. is of course inspired by the U.S. television series of the same name, a program that was extraordinarily popular for a brief period in the mid 1960s in America and abroad. Taking its cue from James Bond in […]

Dread in the Family: Luciferous

By Elias Savada. An escalating madness is the center of the disturbing world of Luciferous, a slow boil screamer presented at this year’s Spookyfest. The normalcy of city life for young, intelligent professionals Alex and Mahsa, and their vibrant 7-year-old daughter Mina is stretched to the limits of sanity, as […]

Diva Directors Around the Globe: Spotlight on Anne Fontaine

By Anna Weinstein. French filmmaker Anne Fontaine has written and directed fourteen films since her debut in 1993. Her films, Dry Cleaning (1997), How I Killed My Father (2001), and Coco Before Chanel (2009) brought her international attention as a writer-director, and her film Nathalie (2003) was adapted into Atom […]

Reviewing the narratively challenged Masaan

By Devapriya Sanyal. To me Masaan (2015) didn’t give the feeling of eternal life flowing by, in its depiction its multifarious stories, set beside the silently flowing Ganges. The river is witness to a love blooming between two young people as also the death of one, it is also the […]

Beyond the Resolution: On the Series Witnesses (Les Témoins, 2015)

By Paul Risker.  From the hustle and bustle of Paris, the stage for Spiral (Engrenages, (2005-)) and Braquo (2009-2014), the new French crime series Witnesses (Les Témoins, (2015)) retreats to the small coastal town of Lille to offer us a change of scenery for the latest serving of Gallic crime […]

Many Selves: The Horror and Fantasy Films of Paul Wegener (2012)

A book review by Tony Williams.  Though mostly well known to western audiences for playing the title characters in The Student of Prague (1913), The Golem (1920), and Rex Ingram‘s The Magician (1926) as well as appearances in Nazi-era films such as Der Grosse Koenig (1941) and Kolberg (1945), Paul Wegener’s […]

New Age Emptiness: Jose Nester Marquez’s Reversion

By Elias Savada. There’s a glossy bio-tech veneer bubbling up in Jose Nester Marquez’s new feature, Reversion. Despite its high concept sci-fi storyline (co-scripted with Elissa Matseuda, based on a story by Marquez), apparently set in Los Angeles in the very near future, there is a low budget feel that pervades […]