By Paul Risker. Veteran of the short film Pascal Chind’s latest endeavour Extrême Pinocchio (2014) finds the French filmmaker looking back into the past to Carlo Collodi’s original story by giving it a more “contemporary spin.” The spectatorial experience of a film in one sense could be perceived as being […]
I for Iran: Critical notes on the political nature of the Tiff Cinematheque Iranian film series
By Amir Ganjavie. Since March 5, Toronto International Film Festival’s screening programme, TIFF Cinematheque, has presented a series called “I for Iran: A History of Iranian Cinema by Its Creators”. According to its website, “Selected by fourteen top Iranian filmmakers, the films in this essential retrospective comprise a capsule history […]
Inside a Pop Mystery: Denny Tedesco on The Wrecking Crew (2008)
By Pete Donnelly. A group of long-revered musicians who performed countless hits in the 60s and 70s, the “Wrecking Crew” consisted of mostly unheard of session players who created a production line style, a kind of music-making machine. Record producers relied on their exceptional competence and speed to “crank out […]
The 11th Annual Boulder International Film Festival
March 31, 2015
By Brad Weismann. The success rate is dismal. All the rules have changed. How does a film festival feel its way forward? The Boulder International Film Festival (BIFF), which took place this year from March 5th through March 8th, began its second decade by keeping its head down and sticking […]
Tall Tales: Now You Are, Now You’re Gone
By Noah Charney. Gangsters, guns, violence, wit. Let me begin by praising Tall Tales: Now You Are, Now You’re Gone (Suplje Price: Zdej te je, a zdej te ni) for being thoroughly un-Slovene. It has action and pace, two rare attributes in the world of Slovene cinema, which too often […]
Keeping the Peace: A SXSW Interview on Peace Officer (2015)
By Jude Warne. Scott Christopherson and Brad Barber are no strangers to the investigative process; as immensely talented documentary filmmakers, this is part of what they do. Dub Lawrence, the subject of the team’s SXSW-screened film Peace Officer, is no stranger to this either, having been a police officer that […]
El Club: A Berlinale Review
March 26, 2015
By Zhuo-Ning Su. When No (2012) took the festival circuit by storm and eventually won a Best Foreign Language Film Oscar nomination some years back, there were probably a handful of us who remained unconvinced or even slightly mystified. The historical drama about the ad campaign that brought down Pinochet’s military […]
Little Release and Little Inspiration: Tempo Documentary Festival, Stockholm 2015
By Axel Andersson. It was still cold when Stockholm’s documentary film festival Tempo opened in early March. The miserable rain underlined the city’s forlorn dampness for both old and new inhabitants. Roma hounded out of their central European homes by prejudice and persecution to beg through an unforgiving Nordic winter […]
Call for Submissions to a Special Issue of the Journal of Popular Film and Television on Holmes Onscreen (Tentative Title)
Edited by Tom Ue, Department of English, University College London Heralded by The Telegraph as a “global phenomenon,” BBC’s Sherlock is now one of the most commercially and critically successful television series of all time. The global recognition of Sherlock, combined with the recent discovery of Arthur Berthelet’s 1916 silent […]
Ghost in the Light: Nina Forever (A SXSW Review)
By Paul Risker. From its opening breath, Nina Forever feels like a film that appeals not solely to our superficial and aesthetic gaze, but to our instincts. The opening sounds of a crash and the flashes of light that have become ingrained and associated with accidental tragedy offer a haunting presence. […]