Hoarders, Doomsday Preppers, and the Culture of Apocalypse

Hoarders, Doomsday Preppers, and the Culture of Apocalypse: A new book by Gwendolyn Audrey Foster.   The culture of twenty-first century America largely revolves around narcissistic death, violence, and visions of doom. As people are bombarded with amoral metanarratives that display an almost complete lack of empathy for others on television, […]

Throne of Blood: An Ethereal Play of Light and Shadow

By William Repass.  Wind and mist over hills that turn out to be ruins. A funereal sutra chanted over the soundtrack. Beside a cluster of graves, the rough-hewn marker reads: “Here Stood Spider Web Castle.” These opening shots yield enough story material to piece together not only the outcome of everything […]

Bottled Up: The Treacherous Terrain of Poverty, Family, and Love

By Gwendolyn Audrey Foster. Indie directors love to mix genres in order to introduce us to fairly realistic characters, unusual stories and fresh narrative strategies. Enid Zentelis effectively mixes elements of serious drama, romantic comedy, and discomforting black comedic elements of the horror film in her low-budget gem, Bottled Up […]

Double Eisenbergs Spell Trouble

By Matthew Sorrento. Of all the entries in NPR’s 2013 series “Movies I’ve Seen a Million Times,” Jesse Eisenberg’s is the most bizarre. When asked about a movie he could watch over and over again, this actor casually noted that he “never watches movies. I haven’t seen a movie in, […]

The 57th San Francisco International Film Festival

By Mark James. The San Francisco International Film Festival, which ran April 24 through May 8th of this year, is true to its name in that its greatest strength has always been its international slate of movies. This year, the Festival’s 57th (remember it is the longest running Festival in […]

Bullet Ballet: An Existentialist Journey through Shibuya

By Giuseppe Sedia.  To certain a degree Bullet Ballet (1998) represents a dividing line in Shin’ya Tsukamoto’s cinematic career that shifted once and for all from film to digital after he entered into his forties. This was certainly a distressing but inevitable transition for the cineaste whose cult arose thanks […]

Child’s Pose: The Limits of the Awful Mother

By Christopher Sharrett. Gwendolyn Audrey Foster offers on this site a larger account of Călin Peter Netzer’s Child’s Pose than what follows here. I saw a Region 1 DVD of this film; it is impressive in many respects, yet not as accomplished, to my mind, as some of the exemplary […]

Tribeca 2014 Festival Report

By Michael Miller. At this year’s Tribeca Film Festival several films—both narrative features and documentaries—probed the theme of masculinity from different perspectives. In the buddy film Land Ho! (directed by Martha Stephens and Aaron Katz), Mitch (Earl Lynn Nelson) and Colin (Paul Eenhoorn) are two retired guys each trying to make […]

First Fruits of Inspiration: The Films of Wheeler Winston Dixon

By Matthew Sorrento. Here at Film International, we’re honored to have the hardest working man in film culture as a regular contributor. Since taking up film history, theory, and criticism in 1984, Wheeler Winston Dixon has authored and edited over 30 book-length works, on titles ranging from the criticism of […]