By Gwendolyn Audrey Foster. Indie directors love to mix genres in order to introduce us to fairly realistic characters, unusual stories and fresh narrative strategies. Enid Zentelis effectively mixes elements of serious drama, romantic comedy, and discomforting black comedic elements of the horror film in her low-budget gem, Bottled Up […]
The Trouble with the Kochs: An Interview with Filmmakers Carl Deal and Tia Lessin
By Michael T. Toole. Surging from their success with the Oscar-nominated The Trouble with Water (2008) – a personal, harrowing look at a couple surviving the aftermath of Hurricane Katrina – filmmakers Carl Deal and Tia Lessin have moved on to equally compelling subject matter in Citizen Koch: Charles G. Koch, […]
Double Eisenbergs Spell Trouble
By Matthew Sorrento. Of all the entries in NPR’s 2013 series “Movies I’ve Seen a Million Times,” Jesse Eisenberg’s is the most bizarre. When asked about a movie he could watch over and over again, this actor casually noted that he “never watches movies. I haven’t seen a movie in, […]
The 57th San Francisco International Film Festival
May 28, 2014
By Mark James. The San Francisco International Film Festival, which ran April 24 through May 8th of this year, is true to its name in that its greatest strength has always been its international slate of movies. This year, the Festival’s 57th (remember it is the longest running Festival in […]
Bullet Ballet: An Existentialist Journey through Shibuya
May 27, 2014
By Giuseppe Sedia. To certain a degree Bullet Ballet (1998) represents a dividing line in Shin’ya Tsukamoto’s cinematic career that shifted once and for all from film to digital after he entered into his forties. This was certainly a distressing but inevitable transition for the cineaste whose cult arose thanks […]
Child’s Pose: The Limits of the Awful Mother
May 26, 2014
By Christopher Sharrett. Gwendolyn Audrey Foster offers on this site a larger account of Călin Peter Netzer’s Child’s Pose than what follows here. I saw a Region 1 DVD of this film; it is impressive in many respects, yet not as accomplished, to my mind, as some of the exemplary […]
Tribeca 2014 Festival Report
May 23, 2014
By Michael Miller. At this year’s Tribeca Film Festival several films—both narrative features and documentaries—probed the theme of masculinity from different perspectives. In the buddy film Land Ho! (directed by Martha Stephens and Aaron Katz), Mitch (Earl Lynn Nelson) and Colin (Paul Eenhoorn) are two retired guys each trying to make […]
First Fruits of Inspiration: The Films of Wheeler Winston Dixon
By Matthew Sorrento. Here at Film International, we’re honored to have the hardest working man in film culture as a regular contributor. Since taking up film history, theory, and criticism in 1984, Wheeler Winston Dixon has authored and edited over 30 book-length works, on titles ranging from the criticism of […]
Yes, but it’s not cinema
May 20, 2014
By James Knight. It’s been thirty-two years since Wim Wenders shot Room 666 in a hotel room at the 1982 Cannes Film Festival. What concerned Wenders at the time was the future state of cinema, and primarily, cinema’s relationship with television. The film featured several well-known directors alone in a […]
Oskar Fischinger 1900-1967: Experiments in Cinematic Abstraction (2013)
May 20, 2014
A Book Review by Brandon Konecny. It’s a shame that Oskar Fischinger hasn’t found his way into more literature on avant-garde cinema. Apart from the late William Moritz’s immaculately researched Optical Poetry: The Life and Work of Oskar Fischinger (2004), he remains a figure who’s often referenced along with a […]