Crowded Out, Fenced In: Pirjo Honkasalo’s Concrete Night

By Daniel Lindvall. François Truffaut’s classic first film, The 400 Blows, ends on a beach. Antoine Doinel (played by Jean-Pierre Léaud, who must have been about 14 when the film was shot) has just run away from a borstal in the middle of a game of football. The film leaves […]

Joe – A SXSW Review

By Jacob Mertens.  To call Joe anything but a return to form for director David Gordon Green would be a disservice. And that has nothing to do with how terrible his recent spate of films have been, save for the uneven but affecting Prince Avalanche (2013). Instead, it has to […]

Contemporary Romanian Cinema: The History of an Unexpected Miracle (2013)

A Book Review by Brandon Konecny. In the introduction of his Post New Wave Cinema in the Soviet Union and Eastern Europe, published in 1989, Daniel J. Goulding writes, “Among the internationally significant national cinemas of Central and Eastern Europe, only Romania has shown little sign of renewal…At the time […]

Only Lovers Left Alive – A SXSW Review

  By Jacob Mertens. A man and a woman lie naked on a bed of black satin, their pale skin holding the frame like a match struck in a dark room. Eyes closed, bodies delicately entwined, the two form an unconscious union. They hold close to each other and sleep […]

Berlinale 2014 Festival Report

By Yun-hua Chen.  The 64th Berlinale opened with Wes Anderson’s Grand Budapest Hotel, a fitting festival film that set a playful tone and brought glamour to town, thanks to which we saw the presence of Ralph Fiennes, Tilda Swinton, Bill Murray and Saoirse on the red carpet. In this yearly […]