By Cleaver Patterson. Crime and man’s inhumanity to man, in one form or another, has frequently proved prime fodder for thrillers and horror films. Two shown on the festival’s third day were perfect examples of this. Though they could not have been more different in subject matter, these films showcased […]
The Go Doc Project (2013)
By Mark James. The Go Doc Project, a new collaboration between writer/director Cory Krueckeberg and lead Tanner Cohen (they worked together previously on the 2008 Were the World Mine), sets up its stakes quickly. Cohen plays Doc, a Columbia near-graduate with a vlog and a ticket to Iowa where he’ll […]
Film4 Frightfest 2013 | Day 2
By Cleaver Patterson. Horror films are a funny old business. Even those which fall within this field can be as different as day from night, and those that appeal to one fan may not to another. The films which made up the festival’s first full day programm–including an exclusive screening […]
On the Road (2012)
By Brandon Konecny. The adaptation of a novel to film is a difficult undertaking. Our judgment of a novel’s cinematic counterpart is, as Robert Stam perceptively points out, profoundly moralistic: we use such words as “infidelity” and “betrayal” to communicate our discontent with a filmic rendering of a text, each […]
Film4 FrightFest 2013 | Day 1
By Cleaver Patterson. London’s Leicester Square may have been a washout on Thursday night, but that did not stop the annual FILM4 FrightFest festival getting off to a suitably gruesome start, after the four men (Paul McEvoy, Ian Rattray, Alan Jones and Greg Day) who lay claim to this festival […]
Cinema Ritrovato 2013 Festival Report
By Patrick Keating and Lisa Jasinski. During its eight day run in July 2013, the 27th Cinema Ritrovato Film Festival offered a dizzying schedule of screenings, conversations, and special events at five local venues throughout the compact city center of Bologna, Italy. The festival brought together 17 programs, celebrating rarely […]
Elysium (2013)
By Steven Harrison Gibbs. I should begin by stating that I do not regularly indulge in assessing the average narrative film with politics near the forefront of my mind. When it comes to film criticism, I prefer to place emphasis on other aspects that, at least for me, play a […]
Becoming Traviata (2013)
By Jacob Mertens. A couple years ago, I traveled to England for an internship and decided that so long as I was on that side of the ocean, I would go ahead and see Malta, Italy, and France as well. I remember stepping off the train into Rome and stumbling […]
The Last Will and Testament of Rosalind Leigh (2012)
By Cleaver Patterson. Films that sell themselves as horror movies generally fall into one of two camps. They either go for all-out viscerals, leaving little to the viewer’s imagination as they try to outdo what has gone before with evermore graphic and gory visuals, or they rely on subtlety and […]
‘In Broad Daylight: Movies and Spectators After the Cinema’ by Gabriele Pedullà
A book review by Wheeler Winston Dixon. This slight but explosive volume, published in an English translation by Verso in 2012, has been kicking around on my work desk for about a year. I wrote a rather negative review of it for Choice, the library journal, and while I don’t […]
