Film4 FrightFest 2013 | Day 1

By Cleaver Patterson. London’s Leicester Square may have been a washout on Thursday night, but that did not stop the annual FILM4 FrightFest festival getting off to a suitably gruesome start, after the four men (Paul McEvoy, Ian Rattray, Alan Jones and Greg Day) who lay claim to this festival […]

Cinema Ritrovato 2013 Festival Report

By Patrick Keating and Lisa Jasinski. During its eight day run in July 2013, the 27th Cinema Ritrovato Film Festival offered a dizzying schedule of screenings, conversations, and special events at five local venues throughout the compact city center of Bologna, Italy. The festival brought together 17 programs, celebrating rarely […]

Elysium (2013)

By Steven Harrison Gibbs. I should begin by stating that I do not regularly indulge in assessing the average narrative film with politics near the forefront of my mind. When it comes to film criticism, I prefer to place emphasis on other aspects that, at least for me, play a […]

Becoming Traviata (2013)

By Jacob Mertens.  A couple years ago, I traveled to England for an internship and decided that so long as I was on that side of the ocean, I would go ahead and see Malta, Italy, and France as well. I remember stepping off the train into Rome and stumbling […]

The Last Will and Testament of Rosalind Leigh (2012)

By Cleaver Patterson. Films that sell themselves as horror movies generally fall into one of two camps. They either go for all-out viscerals, leaving little to the viewer’s imagination as they try to outdo what has gone before with evermore graphic and gory visuals, or they rely on subtlety and […]

Andy’s Gang, or Saturday Morning of the Living Dead

By Wheeler Winston Dixon. “There was a character that hung out in a clock called Froggy, the Magic Gremlin, and they used to say to him, ‘Plunk your Magic Twanger, Froggy!’ There was something about the character that bothered me, and I can recall having some weird dreams because of […]

Beyond the Hills, or The Woman’s Prison

By Christopher Sharrett. It amazes me that so few reviewers noted emphatically that Cristian Mungiu’s Beyond the Hills (2012), like his earlier 4 Months, 3 Weeks, 2 Days (2007), is a film about women, about the oppression of women, in an era that constantly rolls back the rights of women […]